The Temporality of the Landscape revisited

This is an essay about the connections between the passage of time and the condition of archaeological knowledge. It revisits Tim Ingold’s 1993 paper The Temporality of the Landscape, considering its relationship with the phenomenological and interpretive archaeologies of the 1990s and what we learn...

Full description

Bibliographic Details
Main Author: Hicks, D
Format: Journal article
Published: Routledge 2016
_version_ 1797051616833044480
author Hicks, D
author_facet Hicks, D
author_sort Hicks, D
collection OXFORD
description This is an essay about the connections between the passage of time and the condition of archaeological knowledge. It revisits Tim Ingold’s 1993 paper The Temporality of the Landscape, considering its relationship with the phenomenological and interpretive archaeologies of the 1990s and what we learn from it today. Engaged not so much in an ‘ontological turn’ as in a kind of archival return, the essay compares Ingold’s discussion of Breugel’s painting The Harvesters (1565) with an archaeological photograph from 1993. A discussion of the after-effects of performance follows, and four theses about temporality, landscape, modernity and revisiting are put forward: i) The passage of time transforms archaeological knowledge; ii) Archaeological knowledge transforms the passage of time; iii) An archaeological landscape is an object that is known through remapping; iv) Archaeological knowledge is what we leave behind. The essay concludes that that archaeology is not the study of the temporality of the landscape, as Ingold had argued, but the study of the temporality of the landscape revisited
first_indexed 2024-03-06T18:22:04Z
format Journal article
id oxford-uuid:06a3fb45-0b29-4db2-991a-2b81dfcdb417
institution University of Oxford
last_indexed 2024-03-06T18:22:04Z
publishDate 2016
publisher Routledge
record_format dspace
spelling oxford-uuid:06a3fb45-0b29-4db2-991a-2b81dfcdb4172022-03-26T09:03:34ZThe Temporality of the Landscape revisitedJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:06a3fb45-0b29-4db2-991a-2b81dfcdb417Symplectic Elements at OxfordRoutledge2016Hicks, DThis is an essay about the connections between the passage of time and the condition of archaeological knowledge. It revisits Tim Ingold’s 1993 paper The Temporality of the Landscape, considering its relationship with the phenomenological and interpretive archaeologies of the 1990s and what we learn from it today. Engaged not so much in an ‘ontological turn’ as in a kind of archival return, the essay compares Ingold’s discussion of Breugel’s painting The Harvesters (1565) with an archaeological photograph from 1993. A discussion of the after-effects of performance follows, and four theses about temporality, landscape, modernity and revisiting are put forward: i) The passage of time transforms archaeological knowledge; ii) Archaeological knowledge transforms the passage of time; iii) An archaeological landscape is an object that is known through remapping; iv) Archaeological knowledge is what we leave behind. The essay concludes that that archaeology is not the study of the temporality of the landscape, as Ingold had argued, but the study of the temporality of the landscape revisited
spellingShingle Hicks, D
The Temporality of the Landscape revisited
title The Temporality of the Landscape revisited
title_full The Temporality of the Landscape revisited
title_fullStr The Temporality of the Landscape revisited
title_full_unstemmed The Temporality of the Landscape revisited
title_short The Temporality of the Landscape revisited
title_sort temporality of the landscape revisited
work_keys_str_mv AT hicksd thetemporalityofthelandscaperevisited
AT hicksd temporalityofthelandscaperevisited