'Magnifying God Manyfolde': James Ryman's Practice of Repetition

This article examines the poems of James Ryman (fl. 1492), a Franciscan friar at Canterbury. With reference to their mise-en-page in the sole surviving manuscript, the partial holograph Cambridge, University Library, MS Ee.1.12, it focusses on Ryman’s habit of repeating both Scriptural and liturgica...

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Main Author: Griffiths, JE
Format: Journal article
Language:English
Published: University of Chicago Press 2024
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author Griffiths, JE
author_facet Griffiths, JE
author_sort Griffiths, JE
collection OXFORD
description This article examines the poems of James Ryman (fl. 1492), a Franciscan friar at Canterbury. With reference to their mise-en-page in the sole surviving manuscript, the partial holograph Cambridge, University Library, MS Ee.1.12, it focusses on Ryman’s habit of repeating both Scriptural and liturgical quotations and word-blocks of his own composition across multiple poems, arguing that such repetitions are not failures of technical skill, but traces of his writing process. First, it contrasts Ryman’s repetitions with those of a number of his contemporaries, positing that his have been experienced as problematic because they do not necessarily respond to attempts to link form with content. Second, by demonstrating how he builds on established mnemonic techniques, it shows that his repeated words and phrases serve as mental building blocks which not only facilitate composition, but constitute his subject-matter. It thus sets out a new way of reading Ryman, with a focus on praxis rather than product; finally, it considers what such an approach contributes to recent debates around the critical usefulness of “lyric” as a genre.
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spelling oxford-uuid:0b60f7c7-0d1b-4850-92ad-47e8363e13512024-02-13T11:26:49Z'Magnifying God Manyfolde': James Ryman's Practice of RepetitionJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:0b60f7c7-0d1b-4850-92ad-47e8363e1351EnglishSymplectic ElementsUniversity of Chicago Press2024Griffiths, JEThis article examines the poems of James Ryman (fl. 1492), a Franciscan friar at Canterbury. With reference to their mise-en-page in the sole surviving manuscript, the partial holograph Cambridge, University Library, MS Ee.1.12, it focusses on Ryman’s habit of repeating both Scriptural and liturgical quotations and word-blocks of his own composition across multiple poems, arguing that such repetitions are not failures of technical skill, but traces of his writing process. First, it contrasts Ryman’s repetitions with those of a number of his contemporaries, positing that his have been experienced as problematic because they do not necessarily respond to attempts to link form with content. Second, by demonstrating how he builds on established mnemonic techniques, it shows that his repeated words and phrases serve as mental building blocks which not only facilitate composition, but constitute his subject-matter. It thus sets out a new way of reading Ryman, with a focus on praxis rather than product; finally, it considers what such an approach contributes to recent debates around the critical usefulness of “lyric” as a genre.
spellingShingle Griffiths, JE
'Magnifying God Manyfolde': James Ryman's Practice of Repetition
title 'Magnifying God Manyfolde': James Ryman's Practice of Repetition
title_full 'Magnifying God Manyfolde': James Ryman's Practice of Repetition
title_fullStr 'Magnifying God Manyfolde': James Ryman's Practice of Repetition
title_full_unstemmed 'Magnifying God Manyfolde': James Ryman's Practice of Repetition
title_short 'Magnifying God Manyfolde': James Ryman's Practice of Repetition
title_sort magnifying god manyfolde james ryman s practice of repetition
work_keys_str_mv AT griffithsje magnifyinggodmanyfoldejamesrymanspracticeofrepetition