'Modernism', 'postmodernism', and the death of the stanza
Lyric after Pindar should be seen not as declining and petering out, but as developing in ways which radically question or play with the fundamentals of the genre (or “super-genre”). The stanza is a crucial feature of lyric up to Pindar, especially when seen textually; “modernist” expansion into hug...
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| 格式: | Journal article |
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ENS Éditions
2018
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