Shrouding the divine: observations on the iconography of the entombment of Christ in Ethiopian illumination of the fourteenth and early fifteenth centuries

<p style="text-align:justify;"> This article discusses the iconography of the Entombment in Ethiopian manuscript illumination of the fourteenth and early fifteenth centuries. It has a twofold purpose: (1) to show that during this period Ethiopian artists purposely avoided reference...

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Main Author: Gnisci, J
Format: Journal article
Published: Edizioni Orientalia Cristiana 2015
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author Gnisci, J
author_facet Gnisci, J
author_sort Gnisci, J
collection OXFORD
description <p style="text-align:justify;"> This article discusses the iconography of the Entombment in Ethiopian manuscript illumination of the fourteenth and early fifteenth centuries. It has a twofold purpose: (1) to show that during this period Ethiopian artists purposely avoided references to Jesus’ suffering and death during the Passion; and (2) to uncover the wealth of liturgical allusions that are found in illuminated gospels books of this period. The article also highlights the importance of philology in the study of Ethiopian manuscript illumination and shows that the religious beliefs and practices of Ethiopian artists probably played a greater role in shaping iconography than hitherto acknowledged. </p>
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spelling oxford-uuid:0f1480a8-3a56-468d-bc0b-95874b7cc9d62022-03-26T09:49:27ZShrouding the divine: observations on the iconography of the entombment of Christ in Ethiopian illumination of the fourteenth and early fifteenth centuriesJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:0f1480a8-3a56-468d-bc0b-95874b7cc9d6Symplectic Elements at OxfordEdizioni Orientalia Cristiana2015Gnisci, J <p style="text-align:justify;"> This article discusses the iconography of the Entombment in Ethiopian manuscript illumination of the fourteenth and early fifteenth centuries. It has a twofold purpose: (1) to show that during this period Ethiopian artists purposely avoided references to Jesus’ suffering and death during the Passion; and (2) to uncover the wealth of liturgical allusions that are found in illuminated gospels books of this period. The article also highlights the importance of philology in the study of Ethiopian manuscript illumination and shows that the religious beliefs and practices of Ethiopian artists probably played a greater role in shaping iconography than hitherto acknowledged. </p>
spellingShingle Gnisci, J
Shrouding the divine: observations on the iconography of the entombment of Christ in Ethiopian illumination of the fourteenth and early fifteenth centuries
title Shrouding the divine: observations on the iconography of the entombment of Christ in Ethiopian illumination of the fourteenth and early fifteenth centuries
title_full Shrouding the divine: observations on the iconography of the entombment of Christ in Ethiopian illumination of the fourteenth and early fifteenth centuries
title_fullStr Shrouding the divine: observations on the iconography of the entombment of Christ in Ethiopian illumination of the fourteenth and early fifteenth centuries
title_full_unstemmed Shrouding the divine: observations on the iconography of the entombment of Christ in Ethiopian illumination of the fourteenth and early fifteenth centuries
title_short Shrouding the divine: observations on the iconography of the entombment of Christ in Ethiopian illumination of the fourteenth and early fifteenth centuries
title_sort shrouding the divine observations on the iconography of the entombment of christ in ethiopian illumination of the fourteenth and early fifteenth centuries
work_keys_str_mv AT gniscij shroudingthedivineobservationsontheiconographyoftheentombmentofchristinethiopianilluminationofthefourteenthandearlyfifteenthcenturies