Opera and nationalism in mid-eighteenth-century Britain
<p>Italian opera gained an odd resonance in eighteenth-century British sensibility. By turns loved and hated, it acted on the British imagination as a catalyst both for some of the age's most brilliant satire, and for some of the century's most unusual musical extravagances. This di...
Auteurs principaux: | Aspden, S, Aspden, Suzanne |
---|---|
Format: | Thèse |
Langue: | English |
Publié: |
1999
|
Sujets: |
Documents similaires
-
‘Play it again, Sam’: the ‘encore’ in 18th-century London opera
par: Burden, M
Publié: (2016) -
The Opera House on the London stage
par: Burden, M
Publié: (2010) -
Rehearsing an opera in Georgian London
par: Burden, M
Publié: (2008) -
To repeat (or not to repeat)? Dance cues in Restoration English opera
par: Burden, M
Publié: (2007) -
‘Following the male gaze; Visiting the Green Room at London’s Opera House’
par: Burden, M
Publié: (2012)