The transnational lyric community of Soviet unofficial music under late socialism
Despite the seeming liberalism of Khrushchev’s ‘Thaw’, limitations were still placed on the Soviet arts, and the era witnessed the emergence of a parallel form of underground or unofficial culture. This essay considers a number of vocal works by composers, including Gubaidulina and Schnittke, who ex...
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| Other Authors: | |
| Format: | Book section |
| Language: | English |
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ICI Berlin Press
2024
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| _version_ | 1826315307771232256 |
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| author | Bullock, PR |
| author2 | Fantappiè, I |
| author_facet | Fantappiè, I Bullock, PR |
| author_sort | Bullock, PR |
| collection | OXFORD |
| description | Despite the seeming liberalism of Khrushchev’s ‘Thaw’, limitations were still placed on the Soviet arts, and the era witnessed the emergence of a parallel form of underground or unofficial culture. This essay considers a number of vocal works by composers, including Gubaidulina and Schnittke, who experimented with a cosmopolitan range of literary texts, as well as with a more radical musical language. In doing so, these composers not only established a lyric community at home but also engaged with their counterparts in avant-garde circles in Western Europe. |
| first_indexed | 2024-12-09T03:26:07Z |
| format | Book section |
| id | oxford-uuid:18640e11-f0b7-443e-8420-7e890dc08c33 |
| institution | University of Oxford |
| language | English |
| last_indexed | 2024-12-09T03:26:07Z |
| publishDate | 2024 |
| publisher | ICI Berlin Press |
| record_format | dspace |
| spelling | oxford-uuid:18640e11-f0b7-443e-8420-7e890dc08c332024-11-28T13:34:44ZThe transnational lyric community of Soviet unofficial music under late socialismBook sectionhttp://purl.org/coar/resource_type/c_1843uuid:18640e11-f0b7-443e-8420-7e890dc08c33EnglishSymplectic ElementsICI Berlin Press2024Bullock, PRFantappiè, IGiusti, FScuriatti, LDespite the seeming liberalism of Khrushchev’s ‘Thaw’, limitations were still placed on the Soviet arts, and the era witnessed the emergence of a parallel form of underground or unofficial culture. This essay considers a number of vocal works by composers, including Gubaidulina and Schnittke, who experimented with a cosmopolitan range of literary texts, as well as with a more radical musical language. In doing so, these composers not only established a lyric community at home but also engaged with their counterparts in avant-garde circles in Western Europe. |
| spellingShingle | Bullock, PR The transnational lyric community of Soviet unofficial music under late socialism |
| title | The transnational lyric community of Soviet unofficial music under late socialism |
| title_full | The transnational lyric community of Soviet unofficial music under late socialism |
| title_fullStr | The transnational lyric community of Soviet unofficial music under late socialism |
| title_full_unstemmed | The transnational lyric community of Soviet unofficial music under late socialism |
| title_short | The transnational lyric community of Soviet unofficial music under late socialism |
| title_sort | transnational lyric community of soviet unofficial music under late socialism |
| work_keys_str_mv | AT bullockpr thetransnationallyriccommunityofsovietunofficialmusicunderlatesocialism AT bullockpr transnationallyriccommunityofsovietunofficialmusicunderlatesocialism |