Kinaesthetic empathy, physical recoil: the conflicting embodied affects of Samuel Beckett’s Quad

Exploring audience responses to Samuel Beckett's Quad (1981) reveals the play's tendency to evoke intense but contradictory embodied affects for its spectator. Audience members recurrently testify to experiencing a heightened kinesthetic empathy that catalyzes their sense of identification...

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Detalhes bibliográficos
Autor principal: Simpson, H
Formato: Journal article
Idioma:English
Publicado em: Indiana University Press 2019

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