Kinaesthetic empathy, physical recoil: the conflicting embodied affects of Samuel Beckett’s Quad
Exploring audience responses to Samuel Beckett's Quad (1981) reveals the play's tendency to evoke intense but contradictory embodied affects for its spectator. Audience members recurrently testify to experiencing a heightened kinesthetic empathy that catalyzes their sense of identification...
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| 格式: | Journal article |
| 語言: | English |
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Indiana University Press
2019
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