The Inescapable Metaphor: How Time and Meaning Become Space When We Think about Narrative
Stories go places. It is impossible to talk about narrative without using spatial terms, such as ‘plotline’, ‘narrative thread’, ‘twists and turns’, ‘pacing’ or ‘circularity’. In such metaphors, the two essential elements of narrative, time and meaning, are consistently replaced by distance and dire...
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| Format: | Journal article |
| Language: | English |
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John Hopkins University Press
2012
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| _version_ | 1826261894965493760 |
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| author | Kemp, S |
| author_facet | Kemp, S |
| author_sort | Kemp, S |
| collection | OXFORD |
| description | Stories go places. It is impossible to talk about narrative without using spatial terms, such as ‘plotline’, ‘narrative thread’, ‘twists and turns’, ‘pacing’ or ‘circularity’. In such metaphors, the two essential elements of narrative, time and meaning, are consistently replaced by distance and direction. Drawing on Bergson’s ideas on the spatial representation of time and Boroditsky’s cognitive research into spatial metaphors in abstract thought, and using literary digression in Sterne and Diderot as illustration, I consider the pervasiveness of these metaphors in narrative theory, and the consequences of such spatial mediation in the discipline’s analysis of narrative form. |
| first_indexed | 2024-03-06T19:27:46Z |
| format | Journal article |
| id | oxford-uuid:1c61136e-e4f5-43bd-8e1a-32e6a4cf7799 |
| institution | University of Oxford |
| language | English |
| last_indexed | 2024-03-06T19:27:46Z |
| publishDate | 2012 |
| publisher | John Hopkins University Press |
| record_format | dspace |
| spelling | oxford-uuid:1c61136e-e4f5-43bd-8e1a-32e6a4cf77992022-03-26T11:05:17ZThe Inescapable Metaphor: How Time and Meaning Become Space When We Think about NarrativeJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:1c61136e-e4f5-43bd-8e1a-32e6a4cf7799EnglishSymplectic Elements at OxfordJohn Hopkins University Press2012Kemp, SStories go places. It is impossible to talk about narrative without using spatial terms, such as ‘plotline’, ‘narrative thread’, ‘twists and turns’, ‘pacing’ or ‘circularity’. In such metaphors, the two essential elements of narrative, time and meaning, are consistently replaced by distance and direction. Drawing on Bergson’s ideas on the spatial representation of time and Boroditsky’s cognitive research into spatial metaphors in abstract thought, and using literary digression in Sterne and Diderot as illustration, I consider the pervasiveness of these metaphors in narrative theory, and the consequences of such spatial mediation in the discipline’s analysis of narrative form. |
| spellingShingle | Kemp, S The Inescapable Metaphor: How Time and Meaning Become Space When We Think about Narrative |
| title | The Inescapable Metaphor: How Time and Meaning Become Space When We Think about Narrative |
| title_full | The Inescapable Metaphor: How Time and Meaning Become Space When We Think about Narrative |
| title_fullStr | The Inescapable Metaphor: How Time and Meaning Become Space When We Think about Narrative |
| title_full_unstemmed | The Inescapable Metaphor: How Time and Meaning Become Space When We Think about Narrative |
| title_short | The Inescapable Metaphor: How Time and Meaning Become Space When We Think about Narrative |
| title_sort | inescapable metaphor how time and meaning become space when we think about narrative |
| work_keys_str_mv | AT kemps theinescapablemetaphorhowtimeandmeaningbecomespacewhenwethinkaboutnarrative AT kemps inescapablemetaphorhowtimeandmeaningbecomespacewhenwethinkaboutnarrative |