| Tóm tắt: | <p>It is striking how often the first-person memories in Annie Ernaux's 2016 work of life-writing <em>Mémoire de fille</em> are rendered from a third-person perspective. Visual depictions of the author’s younger self are shown to us as if the older Ernaux who is narrating the story were present at the scene, seeing her former self from the outside. The events recounted include sexual exploitation and public shaming for falling foul of the era's sexual double standards, and, in the aftermath of this, an identity crisis and an eating disorder. How does Ernaux’s complex interplay of empathy and distance with regard to her younger self affect the social and political themes in the work, and the ethical stance of the text towards them? And how is the reader implicated by the perspective through which Ernaux has us view her teenage self of 1958?</p>
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