From Epic to Lyric: Alice Oswald’s and Barbara Köhler’s refigurings of Homeric Epic

This chapter examines two recent poetic responses to Homeric epic: Alice Oswald’s reworking of the Iliad in Memorial (2011) and Barbara Köhler’s cycle of Odyssey poems, Niemands Frau (2007), identifying their shared interest in dissolving the Homeric epic narrative line in favour of a gender-inflect...

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Main Author: Paul, G
Other Authors: McConnell, J
Format: Book section
Language:English
Published: Oxford University Press 2018
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author Paul, G
author2 McConnell, J
author_facet McConnell, J
Paul, G
author_sort Paul, G
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description This chapter examines two recent poetic responses to Homeric epic: Alice Oswald’s reworking of the Iliad in Memorial (2011) and Barbara Köhler’s cycle of Odyssey poems, Niemands Frau (2007), identifying their shared interest in dissolving the Homeric epic narrative line in favour of a gender-inflected preferment of the lyric dynamic. Epic narrative form is posited, via Horkheimer and Adorno’s reading of the Odyssey, as a correlate of the heroic masculinity it produces. It is contrasted with the lyric poem’s spatial or, in performance, sonic arena (in Köhler’s terminology, Areal) traversed by multiple possibilities of meaning: how meaning is derived from the Areal in any given reading is predicated, according to a model derived from Sappho’s ode to Anactoria, on ‘what moves us to love’. Köhler’s and Oswald’s poems emphasize not so much the heroic storyline as the verbal links and echoes across the poems that enable dynamic imaginative connections.
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spelling oxford-uuid:22001f07-0254-4916-ae11-7da77b00a86b2022-03-26T11:36:26ZFrom Epic to Lyric: Alice Oswald’s and Barbara Köhler’s refigurings of Homeric EpicBook sectionhttp://purl.org/coar/resource_type/c_3248uuid:22001f07-0254-4916-ae11-7da77b00a86bEnglishSymplectic Elements at OxfordOxford University Press2018Paul, GMcConnell, JHarrison, SKenward, CMacintosh, FThis chapter examines two recent poetic responses to Homeric epic: Alice Oswald’s reworking of the Iliad in Memorial (2011) and Barbara Köhler’s cycle of Odyssey poems, Niemands Frau (2007), identifying their shared interest in dissolving the Homeric epic narrative line in favour of a gender-inflected preferment of the lyric dynamic. Epic narrative form is posited, via Horkheimer and Adorno’s reading of the Odyssey, as a correlate of the heroic masculinity it produces. It is contrasted with the lyric poem’s spatial or, in performance, sonic arena (in Köhler’s terminology, Areal) traversed by multiple possibilities of meaning: how meaning is derived from the Areal in any given reading is predicated, according to a model derived from Sappho’s ode to Anactoria, on ‘what moves us to love’. Köhler’s and Oswald’s poems emphasize not so much the heroic storyline as the verbal links and echoes across the poems that enable dynamic imaginative connections.
spellingShingle Paul, G
From Epic to Lyric: Alice Oswald’s and Barbara Köhler’s refigurings of Homeric Epic
title From Epic to Lyric: Alice Oswald’s and Barbara Köhler’s refigurings of Homeric Epic
title_full From Epic to Lyric: Alice Oswald’s and Barbara Köhler’s refigurings of Homeric Epic
title_fullStr From Epic to Lyric: Alice Oswald’s and Barbara Köhler’s refigurings of Homeric Epic
title_full_unstemmed From Epic to Lyric: Alice Oswald’s and Barbara Köhler’s refigurings of Homeric Epic
title_short From Epic to Lyric: Alice Oswald’s and Barbara Köhler’s refigurings of Homeric Epic
title_sort from epic to lyric alice oswald s and barbara kohler s refigurings of homeric epic
work_keys_str_mv AT paulg fromepictolyricaliceoswaldsandbarbarakohlersrefiguringsofhomericepic