The anti-historicist historicism of German Romantic architecture

Nineteenth-century German architecture was characterized by a conflict between the availability of multiple historically derivative styles and the demand for the establishment of a culturally appropriate normative one. This conflict resulted from an aesthetic historicism that posited the cultural sp...

Full description

Bibliographic Details
Main Author: Halmi, N
Format: Journal article
Language:English
Published: Routledge 2015
_version_ 1797058534083395584
author Halmi, N
author_facet Halmi, N
author_sort Halmi, N
collection OXFORD
description Nineteenth-century German architecture was characterized by a conflict between the availability of multiple historically derivative styles and the demand for the establishment of a culturally appropriate normative one. This conflict resulted from an aesthetic historicism that posited the cultural specificity of architectural styles while simultaneously abstracting them from their original contexts. Because the same aesthetic, ideological, and functionalist claims could be and were advanced on behalf of different styles, the prolonged debate among German architectural writers and practitioners about which one should be favored proved irresolvable so long as it was assumed that a style must be historically referential.
first_indexed 2024-03-06T19:51:38Z
format Journal article
id oxford-uuid:242a2c59-023c-4657-9e03-dc25304c14ec
institution University of Oxford
language English
last_indexed 2024-03-06T19:51:38Z
publishDate 2015
publisher Routledge
record_format dspace
spelling oxford-uuid:242a2c59-023c-4657-9e03-dc25304c14ec2022-03-26T11:48:28ZThe anti-historicist historicism of German Romantic architectureJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:242a2c59-023c-4657-9e03-dc25304c14ecEnglishORA DepositRoutledge2015Halmi, NNineteenth-century German architecture was characterized by a conflict between the availability of multiple historically derivative styles and the demand for the establishment of a culturally appropriate normative one. This conflict resulted from an aesthetic historicism that posited the cultural specificity of architectural styles while simultaneously abstracting them from their original contexts. Because the same aesthetic, ideological, and functionalist claims could be and were advanced on behalf of different styles, the prolonged debate among German architectural writers and practitioners about which one should be favored proved irresolvable so long as it was assumed that a style must be historically referential.
spellingShingle Halmi, N
The anti-historicist historicism of German Romantic architecture
title The anti-historicist historicism of German Romantic architecture
title_full The anti-historicist historicism of German Romantic architecture
title_fullStr The anti-historicist historicism of German Romantic architecture
title_full_unstemmed The anti-historicist historicism of German Romantic architecture
title_short The anti-historicist historicism of German Romantic architecture
title_sort anti historicist historicism of german romantic architecture
work_keys_str_mv AT halmin theantihistoricisthistoricismofgermanromanticarchitecture
AT halmin antihistoricisthistoricismofgermanromanticarchitecture