Exhumations, honorary graves, and the fashioning of Vienna’s self-image as the “City of Music”
The opening gambit of Robert Schumann’s famous essay of 1840 on Schubert’s “Great” C-major Symphony considers the experience of a young musician visiting Vienna for the first time. Initially charmed by the bustle of the streets and awed by the tower of St. Stephen’s Cathedral, soon the musician will...
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| Materiálatiipa: | Journal article |
| Giella: | English |
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Oxford University Press
2019
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