Impure thinking practices and clinical acts: the sonorous becomings of Heidi Fast

This article introduces the recent sound works of Heidi Fast, a Finnish voice and performance artist. Fast’s creative practice operates between art and philosophy, and articulates several ‘zones of becoming’: what Fast designates as ‘the clinical’, ‘the virtual’ and ‘vocal thought-material’. Using a...

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Main Author: Ouzounian, G
Format: Journal article
Language:English
Published: Cambridge University Press 2009
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author Ouzounian, G
author_facet Ouzounian, G
author_sort Ouzounian, G
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description This article introduces the recent sound works of Heidi Fast, a Finnish voice and performance artist. Fast’s creative practice operates between art and philosophy, and articulates several ‘zones of becoming’: what Fast designates as ‘the clinical’, ‘the virtual’ and ‘vocal thought-material’. Using a methodology of routing, the article shows how these zones emerge as aesthetic, ethical and political concerns within Fast’s work. <br> Since 2005, Fast’s sound works have variously taken shape as miniature concerts, social sculptures, imaginary soundscapes and environmental music performances. Drawing upon the writings of theorists who have helped shape her practice, this article argues that Fast uses sound and voice to propose an ‘actualising philosophy’. This philosophy actualises virtualities (unrealised potentials), affecting transformative shifts through tiny mutations in perceptions and behaviours.
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spelling oxford-uuid:35426ed0-0d55-4f49-b984-2d26edd8710d2024-02-13T16:44:57ZImpure thinking practices and clinical acts: the sonorous becomings of Heidi FastJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:35426ed0-0d55-4f49-b984-2d26edd8710dEnglishSymplectic ElementsCambridge University Press2009Ouzounian, GThis article introduces the recent sound works of Heidi Fast, a Finnish voice and performance artist. Fast’s creative practice operates between art and philosophy, and articulates several ‘zones of becoming’: what Fast designates as ‘the clinical’, ‘the virtual’ and ‘vocal thought-material’. Using a methodology of routing, the article shows how these zones emerge as aesthetic, ethical and political concerns within Fast’s work. <br> Since 2005, Fast’s sound works have variously taken shape as miniature concerts, social sculptures, imaginary soundscapes and environmental music performances. Drawing upon the writings of theorists who have helped shape her practice, this article argues that Fast uses sound and voice to propose an ‘actualising philosophy’. This philosophy actualises virtualities (unrealised potentials), affecting transformative shifts through tiny mutations in perceptions and behaviours.
spellingShingle Ouzounian, G
Impure thinking practices and clinical acts: the sonorous becomings of Heidi Fast
title Impure thinking practices and clinical acts: the sonorous becomings of Heidi Fast
title_full Impure thinking practices and clinical acts: the sonorous becomings of Heidi Fast
title_fullStr Impure thinking practices and clinical acts: the sonorous becomings of Heidi Fast
title_full_unstemmed Impure thinking practices and clinical acts: the sonorous becomings of Heidi Fast
title_short Impure thinking practices and clinical acts: the sonorous becomings of Heidi Fast
title_sort impure thinking practices and clinical acts the sonorous becomings of heidi fast
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