Detextualizing and retextualizing the Torah: writing and performing Deuteronomy in the Second Temple Period

The book of Deuteronomy develops a remarkable interplay between the oral and written, the ritual and the textual. Deuteronomy, itself a written artifact, develops and demands a particular attitude towards the ritual performance of written text. Already in the earliest reception of the book, the inne...

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Main Author: Quick, L
Format: Journal article
Language:English
Published: Mohr Siebeck 2022
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author Quick, L
author_facet Quick, L
author_sort Quick, L
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description The book of Deuteronomy develops a remarkable interplay between the oral and written, the ritual and the textual. Deuteronomy, itself a written artifact, develops and demands a particular attitude towards the ritual performance of written text. Already in the earliest reception of the book, the inner-biblical reference to the discovery of the “book of the law” by Josiah in 2 Kings 22, we find a similar interplay between a written text and the public performance of reading. In the Exagoge of Ezekiel Tragicus, this idea is taken to its fullest articulation, and the story of the Exodus, seen through the lens of Deuteronomy, is performatively enacted on the stage. Though Deuteronomy was itself an important step in the advent of “book religion” and the increasing importance of textual authority, the biblical book and the textual responses it inspired continue to detextualize the written word, even as they textualized religious authority in the first place.
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spelling oxford-uuid:3aa618b7-3eb9-4738-b9c8-9135c960db9e2023-05-31T07:34:19ZDetextualizing and retextualizing the Torah: writing and performing Deuteronomy in the Second Temple PeriodJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:3aa618b7-3eb9-4738-b9c8-9135c960db9eEnglishSymplectic Elements at OxfordMohr Siebeck2022Quick, LThe book of Deuteronomy develops a remarkable interplay between the oral and written, the ritual and the textual. Deuteronomy, itself a written artifact, develops and demands a particular attitude towards the ritual performance of written text. Already in the earliest reception of the book, the inner-biblical reference to the discovery of the “book of the law” by Josiah in 2 Kings 22, we find a similar interplay between a written text and the public performance of reading. In the Exagoge of Ezekiel Tragicus, this idea is taken to its fullest articulation, and the story of the Exodus, seen through the lens of Deuteronomy, is performatively enacted on the stage. Though Deuteronomy was itself an important step in the advent of “book religion” and the increasing importance of textual authority, the biblical book and the textual responses it inspired continue to detextualize the written word, even as they textualized religious authority in the first place.
spellingShingle Quick, L
Detextualizing and retextualizing the Torah: writing and performing Deuteronomy in the Second Temple Period
title Detextualizing and retextualizing the Torah: writing and performing Deuteronomy in the Second Temple Period
title_full Detextualizing and retextualizing the Torah: writing and performing Deuteronomy in the Second Temple Period
title_fullStr Detextualizing and retextualizing the Torah: writing and performing Deuteronomy in the Second Temple Period
title_full_unstemmed Detextualizing and retextualizing the Torah: writing and performing Deuteronomy in the Second Temple Period
title_short Detextualizing and retextualizing the Torah: writing and performing Deuteronomy in the Second Temple Period
title_sort detextualizing and retextualizing the torah writing and performing deuteronomy in the second temple period
work_keys_str_mv AT quickl detextualizingandretextualizingthetorahwritingandperformingdeuteronomyinthesecondtempleperiod