Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song
This chapter presents an analysis of Guillaume de Machaut's balade De petit po (B18). Taking an understanding of medieval counterpoint as its starting point, the analysis treats the two central contrapuntal voices first before examining the response to these voices provided variously by the (mu...
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| Format: | Book section |
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Oxford University Press
2012
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| _version_ | 1797063659891982336 |
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| author | Leach, E |
| author_facet | Leach, E |
| author_sort | Leach, E |
| collection | OXFORD |
| description | This chapter presents an analysis of Guillaume de Machaut's balade De petit po (B18). Taking an understanding of medieval counterpoint as its starting point, the analysis treats the two central contrapuntal voices first before examining the response to these voices provided variously by the (mutually exclusive) triplum and contratenor parts. Ultimately the analysis inflects a consideration of the balade's performance contexts, which serve as a means of simultaneously presenting and commentating on its verbal text. |
| first_indexed | 2024-03-06T21:03:06Z |
| format | Book section |
| id | oxford-uuid:3b8554e8-5517-44c1-909b-24f30efc9dd0 |
| institution | University of Oxford |
| last_indexed | 2024-03-06T21:03:06Z |
| publishDate | 2012 |
| publisher | Oxford University Press |
| record_format | dspace |
| spelling | oxford-uuid:3b8554e8-5517-44c1-909b-24f30efc9dd02022-03-26T14:08:10ZForm, Counterpoint, and Meaning in a Fourteenth-Century French Courtly SongBook sectionhttp://purl.org/coar/resource_type/c_3248uuid:3b8554e8-5517-44c1-909b-24f30efc9dd0Symplectic Elements at OxfordOxford University Press2012Leach, EThis chapter presents an analysis of Guillaume de Machaut's balade De petit po (B18). Taking an understanding of medieval counterpoint as its starting point, the analysis treats the two central contrapuntal voices first before examining the response to these voices provided variously by the (mutually exclusive) triplum and contratenor parts. Ultimately the analysis inflects a consideration of the balade's performance contexts, which serve as a means of simultaneously presenting and commentating on its verbal text. |
| spellingShingle | Leach, E Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song |
| title | Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song |
| title_full | Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song |
| title_fullStr | Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song |
| title_full_unstemmed | Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song |
| title_short | Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song |
| title_sort | form counterpoint and meaning in a fourteenth century french courtly song |
| work_keys_str_mv | AT leache formcounterpointandmeaninginafourteenthcenturyfrenchcourtlysong |