Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song
This chapter presents an analysis of Guillaume de Machaut's balade De petit po (B18). Taking an understanding of medieval counterpoint as its starting point, the analysis treats the two central contrapuntal voices first before examining the response to these voices provided variously by the (mu...
Prif Awdur: | Leach, E |
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Fformat: | Book section |
Cyhoeddwyd: |
Oxford University Press
2012
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Eitemau Tebyg
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Counterpoint and analysis in fourteenth-century song
gan: Leach, EE
Cyhoeddwyd: (2000) -
The Roots of Fencing from the Twelfth to the Fourteenth Centuries in the French Language Area
gan: Dupuis Olivier
Cyhoeddwyd: (2015-05-01) -
The Roots of Fencing from the Twelfth to the Fourteenth Centuries in the French Language Area
gan: Olivier Dupuis
Cyhoeddwyd: (2015-09-01) -
Counterpoint: "streamlined" does not mean simple.
gan: Manolio, T, et al.
Cyhoeddwyd: (2013) -
Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries
gan: Leach, E, et al.
Cyhoeddwyd: (2015)