Listening, mediation, event: anthropological and sociological perspectives
This paper outlines an approach to listening drawn from the anthropology and sociology of music, arguing that there is a pressing need for comparative empirical studies of listening. I suggest that the terms of the discussion should shift from listening to the broader category of musical experience,...
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Format: | Journal article |
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Taylor and Francis
2012
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author | Born, G |
author_facet | Born, G |
author_sort | Born, G |
collection | OXFORD |
description | This paper outlines an approach to listening drawn from the anthropology and sociology of music, arguing that there is a pressing need for comparative empirical studies of listening. I suggest that the terms of the discussion should shift from listening to the broader category of musical experience, in this way allowing questions of the encultured, affective, corporeal and located nature of musical experience to arise in a stronger way than hitherto. I propose a focus on the relations between musical object and listening subject, where this entails analysis of the social and historical conditions that bear on listening, and of the changing types of subjectivity brought to music. The point is that neither these conditions, nor the forms of music's mediation, nor the relations between musical object and subject can be fully known in advance. I sketch three perspectives from anthropology and sociology that indicate the kinds of insight offered by empirical research which takes listening-as-musical-experience, and the situated, relational analysis of musical subjects and objects, as its focus. |
first_indexed | 2024-03-06T21:07:30Z |
format | Journal article |
id | oxford-uuid:3cfa1be1-ccc0-4e3a-84ac-8bb95dd2beef |
institution | University of Oxford |
last_indexed | 2024-03-06T21:07:30Z |
publishDate | 2012 |
publisher | Taylor and Francis |
record_format | dspace |
spelling | oxford-uuid:3cfa1be1-ccc0-4e3a-84ac-8bb95dd2beef2022-03-26T14:16:44ZListening, mediation, event: anthropological and sociological perspectivesJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:3cfa1be1-ccc0-4e3a-84ac-8bb95dd2beefSymplectic Elements at OxfordTaylor and Francis2012Born, GThis paper outlines an approach to listening drawn from the anthropology and sociology of music, arguing that there is a pressing need for comparative empirical studies of listening. I suggest that the terms of the discussion should shift from listening to the broader category of musical experience, in this way allowing questions of the encultured, affective, corporeal and located nature of musical experience to arise in a stronger way than hitherto. I propose a focus on the relations between musical object and listening subject, where this entails analysis of the social and historical conditions that bear on listening, and of the changing types of subjectivity brought to music. The point is that neither these conditions, nor the forms of music's mediation, nor the relations between musical object and subject can be fully known in advance. I sketch three perspectives from anthropology and sociology that indicate the kinds of insight offered by empirical research which takes listening-as-musical-experience, and the situated, relational analysis of musical subjects and objects, as its focus. |
spellingShingle | Born, G Listening, mediation, event: anthropological and sociological perspectives |
title | Listening, mediation, event: anthropological and sociological perspectives |
title_full | Listening, mediation, event: anthropological and sociological perspectives |
title_fullStr | Listening, mediation, event: anthropological and sociological perspectives |
title_full_unstemmed | Listening, mediation, event: anthropological and sociological perspectives |
title_short | Listening, mediation, event: anthropological and sociological perspectives |
title_sort | listening mediation event anthropological and sociological perspectives |
work_keys_str_mv | AT borng listeningmediationeventanthropologicalandsociologicalperspectives |