'Auf keiner gültigen Karte verzeichnet': Situating Ulrike Almut Sandig's poetry
Ulrike Almut Sandig’s poetic output engages with the traditions of Romanticism, but it is apparent from her performance techniques and the visual qualities of her work, as well as some of its central thematic concerns, that her relationship to this tradition is complex. This essay illuminates Sandig...
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| Format: | Journal article |
| Language: | English |
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Routledge
2018
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| _version_ | 1797064999831601152 |
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| author | Thomas, N |
| author_facet | Thomas, N |
| author_sort | Thomas, N |
| collection | OXFORD |
| description | Ulrike Almut Sandig’s poetic output engages with the traditions of Romanticism, but it is apparent from her performance techniques and the visual qualities of her work, as well as some of its central thematic concerns, that her relationship to this tradition is complex. This essay illuminates Sandig’s relationship to German literary history, and particularly to the work of Annette von Droste-Hülshoff, by arguing that both Sandig and Droste negotiate between Romanticism and Realism – and, in doing so, emphasise the primacy of sensory engagement as a means of social engagement and resistance. |
| first_indexed | 2024-03-06T21:22:23Z |
| format | Journal article |
| id | oxford-uuid:41e5bbd9-5d3c-495f-bcb0-1ee51bf895cb |
| institution | University of Oxford |
| language | English |
| last_indexed | 2024-03-06T21:22:23Z |
| publishDate | 2018 |
| publisher | Routledge |
| record_format | dspace |
| spelling | oxford-uuid:41e5bbd9-5d3c-495f-bcb0-1ee51bf895cb2022-03-26T14:46:19Z'Auf keiner gültigen Karte verzeichnet': Situating Ulrike Almut Sandig's poetryJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:41e5bbd9-5d3c-495f-bcb0-1ee51bf895cbEnglishSymplectic Elements at OxfordRoutledge2018Thomas, NUlrike Almut Sandig’s poetic output engages with the traditions of Romanticism, but it is apparent from her performance techniques and the visual qualities of her work, as well as some of its central thematic concerns, that her relationship to this tradition is complex. This essay illuminates Sandig’s relationship to German literary history, and particularly to the work of Annette von Droste-Hülshoff, by arguing that both Sandig and Droste negotiate between Romanticism and Realism – and, in doing so, emphasise the primacy of sensory engagement as a means of social engagement and resistance. |
| spellingShingle | Thomas, N 'Auf keiner gültigen Karte verzeichnet': Situating Ulrike Almut Sandig's poetry |
| title | 'Auf keiner gültigen Karte verzeichnet': Situating Ulrike Almut Sandig's poetry |
| title_full | 'Auf keiner gültigen Karte verzeichnet': Situating Ulrike Almut Sandig's poetry |
| title_fullStr | 'Auf keiner gültigen Karte verzeichnet': Situating Ulrike Almut Sandig's poetry |
| title_full_unstemmed | 'Auf keiner gültigen Karte verzeichnet': Situating Ulrike Almut Sandig's poetry |
| title_short | 'Auf keiner gültigen Karte verzeichnet': Situating Ulrike Almut Sandig's poetry |
| title_sort | auf keiner gultigen karte verzeichnet situating ulrike almut sandig s poetry |
| work_keys_str_mv | AT thomasn aufkeinergultigenkarteverzeichnetsituatingulrikealmutsandigspoetry |