Shakespeare and the implications of paratextual attribution
In 1598, Shakespeare's name first appeared-unambiguously-on the title pages of printed playbooks, with the second editions of Richard II and Richard III, both published by Andrew Wise, and the first extant edition of Love's Labour's Lost, published by Cuthbert Burby.1 These paratextua...
Main Author: | Lidster, A |
---|---|
Format: | Journal article |
Language: | English |
Published: |
Associated University Presses
2018
|
Similar Items
-
Wartime Shakespeare: performing narratives of conflict
by: Lidster, A
Published: (2023) -
At the Sign of the Angel: the influence of Andrew Wise on Shakespeare in print
by: Lidster, A
Published: (2018) -
‘Not on his picture, but his booke’: Shakespeare’s First Folio and practices of collection
by: Lidster, A
Published: (2023) -
Publishing the history play in the time of Shakespeare: stationers shaping a genre
by: Lidster, A
Published: (2022) -
“Yes: I translated it!”: Visibility and the performance of translatorship in the digital paratextual space
by: Freeth, Peter J.
Published: (2024)