Rocked, cradled and shaken: A colonial melancholic stance in "Qui se souvient de la mer"
At the conclusion of Mohammed Dib’s ground-breaking representation of the Algerian War of Independence, Qui se souvient de la mer, at what might be adjudged to represent the final victory of the feminine force that the sea represents, the text attests to the ineluctable bond between ‘...
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| Format: | Journal article |
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Society for Francophone Postcolonial Studies
2016
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