Colour matters in Balzac, from his beginnings to Séraphîta
This article explores Balzac’s understanding and exploitation of colour from his beginnings to Séraphîta (1835), the ordinal end of La Comédie humaine. Beginning with his earliest philosophical writings, it considers the relative roles of the spiritual and the material, and of light and black–white...
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| Format: | Journal article |
| Language: | English |
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Taylor and Francis
2020
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