Negative modernism: Beckett’s poetics of pejorism and literary enactment

The relationship between Beckett and modernism remains a much-contested issue in Beckett studies and beyond. Beckett’s place in the modernist canon has been questioned both on the grounds of periodization and style, with the term ‘late modernist’ increasingly gaining ground in the more recent schola...

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Main Author: Van Hulle, D
Other Authors: Beloborodova, O
Format: Book section
Language:English
Published: Palgrave Macmillan 2018
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author Van Hulle, D
author2 Beloborodova, O
author_facet Beloborodova, O
Van Hulle, D
author_sort Van Hulle, D
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description The relationship between Beckett and modernism remains a much-contested issue in Beckett studies and beyond. Beckett’s place in the modernist canon has been questioned both on the grounds of periodization and style, with the term ‘late modernist’ increasingly gaining ground in the more recent scholarship. Without disputing Weller’s definition, this essay suggests a different approach by foregrounding Beckett’s trademark ‘fidelity to failure’ and his radical denial of the Leibnizian concept of theodicy. To explore the philosophical prehistory of what could be termed Beckett’s negative modernism, it first discusses the ‘epiphanic’ modernism of his more canonical predecessors and then traces the contours of Beckett’s own poetics of ‘pejorism’ (a term he coined in the margins of his copy of Olga Plümacher’s Der Pessimismus and in his ‘Whoroscope’ Notebook) to examine how his negative modernism is enacted in his works.
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spelling oxford-uuid:51771523-2928-4fcb-869d-e64a625732052022-03-26T16:19:46ZNegative modernism: Beckett’s poetics of pejorism and literary enactmentBook sectionhttp://purl.org/coar/resource_type/c_1843uuid:51771523-2928-4fcb-869d-e64a62573205EnglishSymplectic ElementsPalgrave Macmillan2018Van Hulle, DBeloborodova, OVan Hulle, DVerhulst, PThe relationship between Beckett and modernism remains a much-contested issue in Beckett studies and beyond. Beckett’s place in the modernist canon has been questioned both on the grounds of periodization and style, with the term ‘late modernist’ increasingly gaining ground in the more recent scholarship. Without disputing Weller’s definition, this essay suggests a different approach by foregrounding Beckett’s trademark ‘fidelity to failure’ and his radical denial of the Leibnizian concept of theodicy. To explore the philosophical prehistory of what could be termed Beckett’s negative modernism, it first discusses the ‘epiphanic’ modernism of his more canonical predecessors and then traces the contours of Beckett’s own poetics of ‘pejorism’ (a term he coined in the margins of his copy of Olga Plümacher’s Der Pessimismus and in his ‘Whoroscope’ Notebook) to examine how his negative modernism is enacted in his works.
spellingShingle Van Hulle, D
Negative modernism: Beckett’s poetics of pejorism and literary enactment
title Negative modernism: Beckett’s poetics of pejorism and literary enactment
title_full Negative modernism: Beckett’s poetics of pejorism and literary enactment
title_fullStr Negative modernism: Beckett’s poetics of pejorism and literary enactment
title_full_unstemmed Negative modernism: Beckett’s poetics of pejorism and literary enactment
title_short Negative modernism: Beckett’s poetics of pejorism and literary enactment
title_sort negative modernism beckett s poetics of pejorism and literary enactment
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