Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries
<p>Why write music theory and publish it? In the thesis I investigate the reasons for a seeming over-abundance of practically oriented music treatises in early seventeenth-century Italy. Throughout I challenge our conventional assessment of the study of music theory: I suggest that we can defi...
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| מחברים אחרים: | |
| פורמט: | Thesis |
| שפה: | English |
| יצא לאור: |
2014
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| _version_ | 1826316729347735552 |
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| author | Ballantyne, AL |
| author2 | Rees, O |
| author_facet | Rees, O Ballantyne, AL |
| author_sort | Ballantyne, AL |
| collection | OXFORD |
| description | <p>Why write music theory and publish it? In the thesis I investigate the reasons for a seeming over-abundance of practically oriented music treatises in early seventeenth-century Italy. Throughout I challenge our conventional assessment of the study of music theory: I suggest that we can define a music-theoretical text in terms of its material form in addition to its content. Adriano Banchieri (1568-1634) was the most prolific theorist in early seventeenth-century Italy. His music-theory books exemplify contemporary printing patterns, an overt practical focus, and a synthesis of contemporary theoretical innovations.</p> <p>In Chapter 1, after considering the meaning of 'music theory' and how it is typically classified, I discuss the process of and purposes for writing and publishing music theory. In Chapter 2 I explore Banchieri's practical and philosophical motives for writing music theory, and thus introduce the reader to his music-theoretical corpus. The focus of the thesis then broadens: in Chapter 3 I survey the typical authors, publishing houses, content, material form, function and readers of the various kinds of theoretical texts printed in Italy between 1600 and 1630. In Chapter 4 I examine the widespread practice of publishing second and revised editions of music-theory books in order to establish the extent to which a new edition corresponds to a seeming demand for a particular text. The case study of the paratext of Banchieri's <em>Conclusiones de musica</em> (Bologna, 1627) in Chapter 5 demonstrates the great extent to which the preliminary matter of an early Seicento music-theory book is embedded in its socio-cultural context and how a paratext projects ideas contained in the text proper. Lastly, in Chapter 6 I explore to whom and in which particular forums theoretical writings circulated. Here I focus principally on Banchieri's printed letters, which provide evidence of how an author circulated his music books.</p> |
| first_indexed | 2024-03-06T22:22:07Z |
| format | Thesis |
| id | oxford-uuid:5567c6ab-360c-47da-8b82-d7f1d4a4d4d7 |
| institution | University of Oxford |
| language | English |
| last_indexed | 2024-12-09T03:50:20Z |
| publishDate | 2014 |
| record_format | dspace |
| spelling | oxford-uuid:5567c6ab-360c-47da-8b82-d7f1d4a4d4d72024-12-08T13:36:22ZWriting and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporariesThesishttp://purl.org/coar/resource_type/c_db06uuid:5567c6ab-360c-47da-8b82-d7f1d4a4d4d717th Century musicMusicEnglishOxford University Research Archive - Valet2014Ballantyne, ALRees, OBlackburn, B<p>Why write music theory and publish it? In the thesis I investigate the reasons for a seeming over-abundance of practically oriented music treatises in early seventeenth-century Italy. Throughout I challenge our conventional assessment of the study of music theory: I suggest that we can define a music-theoretical text in terms of its material form in addition to its content. Adriano Banchieri (1568-1634) was the most prolific theorist in early seventeenth-century Italy. His music-theory books exemplify contemporary printing patterns, an overt practical focus, and a synthesis of contemporary theoretical innovations.</p> <p>In Chapter 1, after considering the meaning of 'music theory' and how it is typically classified, I discuss the process of and purposes for writing and publishing music theory. In Chapter 2 I explore Banchieri's practical and philosophical motives for writing music theory, and thus introduce the reader to his music-theoretical corpus. The focus of the thesis then broadens: in Chapter 3 I survey the typical authors, publishing houses, content, material form, function and readers of the various kinds of theoretical texts printed in Italy between 1600 and 1630. In Chapter 4 I examine the widespread practice of publishing second and revised editions of music-theory books in order to establish the extent to which a new edition corresponds to a seeming demand for a particular text. The case study of the paratext of Banchieri's <em>Conclusiones de musica</em> (Bologna, 1627) in Chapter 5 demonstrates the great extent to which the preliminary matter of an early Seicento music-theory book is embedded in its socio-cultural context and how a paratext projects ideas contained in the text proper. Lastly, in Chapter 6 I explore to whom and in which particular forums theoretical writings circulated. Here I focus principally on Banchieri's printed letters, which provide evidence of how an author circulated his music books.</p> |
| spellingShingle | 17th Century music Music Ballantyne, AL Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries |
| title | Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries |
| title_full | Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries |
| title_fullStr | Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries |
| title_full_unstemmed | Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries |
| title_short | Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries |
| title_sort | writing and publishing music theory in early seventeenth century italy adriano banchieri and his contemporaries |
| topic | 17th Century music Music |
| work_keys_str_mv | AT ballantyneal writingandpublishingmusictheoryinearlyseventeenthcenturyitalyadrianobanchieriandhiscontemporaries |