Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries

Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries

<p>Why write music theory and publish it? In the thesis I investigate the reasons for a seeming over-abundance of practically oriented music treatises in early seventeenth-century Italy. Throughout I challenge our conventional assessment of the study of music theory: I suggest that we can defi...

Fuld beskrivelse

Bibliografiske detaljer
Hovedforfatter:	Ballantyne, AL
Andre forfattere:	Rees, O
Format:	Thesis
Sprog:	English
Udgivet:	2014
Fag:	17th Century music Music

Lignende værker

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Gifted travellers: rhetorical invention in seventeenth-century English travel writing
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Music in 19th-Century Venezuela
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‘Aptlie framed for the dittie’: a study of setting sacred Latin texts to music in sixteenth-century England
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Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
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Early twentieth-century discourses of violin playing
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Portfolio of compositions and critical writing
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Polyphonic music in thirteenth-century France
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The Creative Work of Women Composers in 20th-century Serbian Music in General Music Education
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English solo keyboard music of the middle and late baroque
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Judith Weir's Instrumental Music as Description
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Music Archive and Music Practice at Salzburg Cathedral
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Performing a political shift: avant-garde music in Cold War Spain
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Lo-Fi aesthetics in popular music discourse
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Viennese keyboard music in the reign of Karl VI (1712-40) : Gottlieb Muffat and his contemporaries
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'Words for music perhaps': W.B. Yeats and musical sense
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The Caravaggist and the Revival of Seventeenth Century Features in “Utrecht” Murals
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Institutionalization of Modern Bourgeois Musical Culture in Nineteenth-Century Carniola and Lower Styria
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The symphonies of Charles Villiers Stanford: constructing a national identity?
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French lute-song, 1529-1643
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Pyramus and Thisbe: Myth in music on the 18th-century French stage
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PARALLELS AND DIFFERENCES IN TRENDS IN MUSIC PEDAGOGY IN THE 20TH CENTURY – THE PLACE OF THE KODÁLY CONCEPT IN EUROPEAN MUSIC PEDAGOGY OF THE LAST CENTURY –
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AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY
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