Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries
<p>Why write music theory and publish it? In the thesis I investigate the reasons for a seeming over-abundance of practically oriented music treatises in early seventeenth-century Italy. Throughout I challenge our conventional assessment of the study of music theory: I suggest that we can defi...
Päätekijä: | Ballantyne, AL |
---|---|
Muut tekijät: | Rees, O |
Aineistotyyppi: | Opinnäyte |
Kieli: | English |
Julkaistu: |
2014
|
Aiheet: |
Samankaltaisia teoksia
-
Harpsichord and lute music in seventeenth-century France
Tekijä: Ledbetter, D, et al.
Julkaistu: (1985) -
Adventures of Portuguese 'ancient music' in Oxford, London and Paris: Duarte Lobo's 'Liber missarum' and musical antiquarianism, 1650-1850
Tekijä: Rees, O
Julkaistu: (2005) -
To repeat (or not to repeat)? Dance cues in Restoration English opera
Tekijä: Burden, M
Julkaistu: (2007) -
Contrafacta. Modes of music re-textualization in the late sixteenth and seventeenth century, eds. Marina Toffetti, Gabriele Taschetti, Kraków 2020
Tekijä: Nicolò Ferrari
Julkaistu: (2021-04-01) -
Sacred polychoral music in Rome, 1575-1621
Tekijä: O'Regan, T, et al.
Julkaistu: (1988)