Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries
<p>Why write music theory and publish it? In the thesis I investigate the reasons for a seeming over-abundance of practically oriented music treatises in early seventeenth-century Italy. Throughout I challenge our conventional assessment of the study of music theory: I suggest that we can defi...
Үндсэн зохиолч: | Ballantyne, AL |
---|---|
Бусад зохиолчид: | Rees, O |
Формат: | Дипломын ажил |
Хэл сонгох: | English |
Хэвлэсэн: |
2014
|
Нөхцлүүд: |
Ижил төстэй зүйлс
-
Harpsichord and lute music in seventeenth-century France
-н: Ledbetter, D, зэрэг
Хэвлэсэн: (1985) -
Adventures of Portuguese 'ancient music' in Oxford, London and Paris: Duarte Lobo's 'Liber missarum' and musical antiquarianism, 1650-1850
-н: Rees, O
Хэвлэсэн: (2005) -
To repeat (or not to repeat)? Dance cues in Restoration English opera
-н: Burden, M
Хэвлэсэн: (2007) -
Contrafacta. Modes of music re-textualization in the late sixteenth and seventeenth century, eds. Marina Toffetti, Gabriele Taschetti, Kraków 2020
-н: Nicolò Ferrari
Хэвлэсэн: (2021-04-01) -
Sacred polychoral music in Rome, 1575-1621
-н: O'Regan, T, зэрэг
Хэвлэсэн: (1988)