Phenomenology, technology and arts education: Exploring the pedagogical possibilities of two multimedia arts inquiry projects

The relevance of phenomenology for arts education is explored through two multimedia arts inquiry projects. I begin by offering a brief outline of what arts inquiry and phenomenology entail. Following this, I consider a phenomenological study relevant to creative multimedia studies, and develop the...

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Príomhchruthaitheoir: van der Schyff, D
Formáid: Journal article
Foilsithe / Cruthaithe: Interference 2016
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author van der Schyff, D
author_facet van der Schyff, D
author_sort van der Schyff, D
collection OXFORD
description The relevance of phenomenology for arts education is explored through two multimedia arts inquiry projects. I begin by offering a brief outline of what arts inquiry and phenomenology entail. Following this, I consider a phenomenological study relevant to creative multimedia studies, and develop the relationship between phenomenology, critical pedagogy, and creative praxis in the arts. Drawing on these ideas, I then discuss the processes involved in creating the multimedia projects and consider possibilities for similar projects in educational contexts. Most importantly, I attempt to show how such projects might open arts educators and students to more reflective, imaginative and participatory ways of being-in-the-world, while simultaneously developing deeper historical, cultural, technical, and aesthetic understandings of the art forms they are engaged with.
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spelling oxford-uuid:5810f7e0-32c5-4e57-bdce-47969b505dcf2022-03-26T17:00:47ZPhenomenology, technology and arts education: Exploring the pedagogical possibilities of two multimedia arts inquiry projectsJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:5810f7e0-32c5-4e57-bdce-47969b505dcfSymplectic Elements at OxfordInterference2016van der Schyff, DThe relevance of phenomenology for arts education is explored through two multimedia arts inquiry projects. I begin by offering a brief outline of what arts inquiry and phenomenology entail. Following this, I consider a phenomenological study relevant to creative multimedia studies, and develop the relationship between phenomenology, critical pedagogy, and creative praxis in the arts. Drawing on these ideas, I then discuss the processes involved in creating the multimedia projects and consider possibilities for similar projects in educational contexts. Most importantly, I attempt to show how such projects might open arts educators and students to more reflective, imaginative and participatory ways of being-in-the-world, while simultaneously developing deeper historical, cultural, technical, and aesthetic understandings of the art forms they are engaged with.
spellingShingle van der Schyff, D
Phenomenology, technology and arts education: Exploring the pedagogical possibilities of two multimedia arts inquiry projects
title Phenomenology, technology and arts education: Exploring the pedagogical possibilities of two multimedia arts inquiry projects
title_full Phenomenology, technology and arts education: Exploring the pedagogical possibilities of two multimedia arts inquiry projects
title_fullStr Phenomenology, technology and arts education: Exploring the pedagogical possibilities of two multimedia arts inquiry projects
title_full_unstemmed Phenomenology, technology and arts education: Exploring the pedagogical possibilities of two multimedia arts inquiry projects
title_short Phenomenology, technology and arts education: Exploring the pedagogical possibilities of two multimedia arts inquiry projects
title_sort phenomenology technology and arts education exploring the pedagogical possibilities of two multimedia arts inquiry projects
work_keys_str_mv AT vanderschyffd phenomenologytechnologyandartseducationexploringthepedagogicalpossibilitiesoftwomultimediaartsinquiryprojects