Publishing vitriol: Rachilde, Léon Bloy, and the Mercure de France

In 1899, the avant-garde writers Rachilde and Léon Bloy both penned critiques of Émile Zola’s Fécondité, which was serialized in L’Aurore at the height of the Dreyfus affair. This article analyses the pair’s vitriolic responses to Zola’s novel, their ideological position against the values it enshri...

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Autor principal: Craske, H
Format: Journal article
Idioma:English
Publicat: Modern Humanities Research Association 2024
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author Craske, H
author_facet Craske, H
author_sort Craske, H
collection OXFORD
description In 1899, the avant-garde writers Rachilde and Léon Bloy both penned critiques of Émile Zola’s Fécondité, which was serialized in L’Aurore at the height of the Dreyfus affair. This article analyses the pair’s vitriolic responses to Zola’s novel, their ideological position against the values it enshrined, and the differing levels of ease with which they were able to publish their opinions. Highlighting Alfred Vallette’s decision to refuse Bloy’s Je m’accuse at the Mercure de France’s publishing house, it considers the thin but flexible line separating acceptable and unacceptable forms of public discourse at the fin de siècle. Highlighting Alfred Vallette’s decision to refuse Bloy’s Je m’accuse at the Mercure de France’s publishing house, it considers the thin but flexible line separating acceptable and unacceptable forms of public discourse at the fin de siècle.
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spelling oxford-uuid:58bab289-82d3-455c-85d0-f02e348aeaef2024-08-28T10:07:10ZPublishing vitriol: Rachilde, Léon Bloy, and the Mercure de FranceJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:58bab289-82d3-455c-85d0-f02e348aeaefEnglishSymplectic ElementsModern Humanities Research Association2024Craske, HIn 1899, the avant-garde writers Rachilde and Léon Bloy both penned critiques of Émile Zola’s Fécondité, which was serialized in L’Aurore at the height of the Dreyfus affair. This article analyses the pair’s vitriolic responses to Zola’s novel, their ideological position against the values it enshrined, and the differing levels of ease with which they were able to publish their opinions. Highlighting Alfred Vallette’s decision to refuse Bloy’s Je m’accuse at the Mercure de France’s publishing house, it considers the thin but flexible line separating acceptable and unacceptable forms of public discourse at the fin de siècle. Highlighting Alfred Vallette’s decision to refuse Bloy’s Je m’accuse at the Mercure de France’s publishing house, it considers the thin but flexible line separating acceptable and unacceptable forms of public discourse at the fin de siècle.
spellingShingle Craske, H
Publishing vitriol: Rachilde, Léon Bloy, and the Mercure de France
title Publishing vitriol: Rachilde, Léon Bloy, and the Mercure de France
title_full Publishing vitriol: Rachilde, Léon Bloy, and the Mercure de France
title_fullStr Publishing vitriol: Rachilde, Léon Bloy, and the Mercure de France
title_full_unstemmed Publishing vitriol: Rachilde, Léon Bloy, and the Mercure de France
title_short Publishing vitriol: Rachilde, Léon Bloy, and the Mercure de France
title_sort publishing vitriol rachilde leon bloy and the mercure de france
work_keys_str_mv AT craskeh publishingvitriolrachildeleonbloyandthemercuredefrance