Courting controversy? Poetic manipulations of politics in the mid-fifteenth century

This chapter uses Machaut’s JRB and JRN as a launch-pad for reading the relationship of response between Martin Le Franc’s Champion des dames (c.1442) and Complainte du livre du Champion des dames a maistre Martin le Franc son acteur, with the aim of understanding better the stakes at play in the fi...

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Main Author: Swift, H
Other Authors: Palmer, RB
Format: Book section
Language:English
Published: University Press of Florida 2017
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author Swift, H
author2 Palmer, RB
author_facet Palmer, RB
Swift, H
author_sort Swift, H
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description This chapter uses Machaut’s JRB and JRN as a launch-pad for reading the relationship of response between Martin Le Franc’s Champion des dames (c.1442) and Complainte du livre du Champion des dames a maistre Martin le Franc son acteur, with the aim of understanding better the stakes at play in the fifteenth-century false retraction. The Champion references explicitly to Machaut’s judgment poems, and both the Champion and Complainte entertain an analogous interaction of metatextuality, intertextuality, and historical reference. This results in a similarly enticing and subtle interlacing of poetry and court politics. Le Franc and Machaut contribute distinctively to a characteristically late-medieval reflection on authorship as a dialogic process concerned as much with book reception as with its production.
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spelling oxford-uuid:5f0b6021-c26a-438c-88b1-7270e74005b82022-06-30T16:05:43ZCourting controversy? Poetic manipulations of politics in the mid-fifteenth centuryBook sectionhttp://purl.org/coar/resource_type/c_3248uuid:5f0b6021-c26a-438c-88b1-7270e74005b8EnglishSymplectic Elements at OxfordUniversity Press of Florida2017Swift, HPalmer, RBKimmelman, BThis chapter uses Machaut’s JRB and JRN as a launch-pad for reading the relationship of response between Martin Le Franc’s Champion des dames (c.1442) and Complainte du livre du Champion des dames a maistre Martin le Franc son acteur, with the aim of understanding better the stakes at play in the fifteenth-century false retraction. The Champion references explicitly to Machaut’s judgment poems, and both the Champion and Complainte entertain an analogous interaction of metatextuality, intertextuality, and historical reference. This results in a similarly enticing and subtle interlacing of poetry and court politics. Le Franc and Machaut contribute distinctively to a characteristically late-medieval reflection on authorship as a dialogic process concerned as much with book reception as with its production.
spellingShingle Swift, H
Courting controversy? Poetic manipulations of politics in the mid-fifteenth century
title Courting controversy? Poetic manipulations of politics in the mid-fifteenth century
title_full Courting controversy? Poetic manipulations of politics in the mid-fifteenth century
title_fullStr Courting controversy? Poetic manipulations of politics in the mid-fifteenth century
title_full_unstemmed Courting controversy? Poetic manipulations of politics in the mid-fifteenth century
title_short Courting controversy? Poetic manipulations of politics in the mid-fifteenth century
title_sort courting controversy poetic manipulations of politics in the mid fifteenth century
work_keys_str_mv AT swifth courtingcontroversypoeticmanipulationsofpoliticsinthemidfifteenthcentury