“Did This Really Happen?”: Amit Chaudhuri’s acknowledgement of the autobiographical

In a recent online lecture, the acclaimed novelist Amit Chaudhuri responded to an accusation that has greeted his fiction since the start of his literary career: that since, as he openly admits, his novels contain people and events that are drawn from his own life, they are better thought of as thin...

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Príomhchruthaitheoir: Deb, PD
Formáid: Journal article
Teanga:English
Foilsithe / Cruthaithe: Vishvanatha Kaviraja Institute of Comparative Literature and Aesthetics 2022
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author Deb, PD
author_facet Deb, PD
author_sort Deb, PD
collection OXFORD
description In a recent online lecture, the acclaimed novelist Amit Chaudhuri responded to an accusation that has greeted his fiction since the start of his literary career: that since, as he openly admits, his novels contain people and events that are drawn from his own life, they are better thought of as thinly disguised memoirs—as not really novels at all. In this paper, I discuss this charge by drawing on an account by the philosopher Stephen Mulhall of the work of another distinguished novelist—J.M. Coetzee (more specifically, that work which features the character Elizabeth Costello). In particular, I want to establish the pertinence to Chaudhuri’s lecture of Mulhall’s analogy between aspects of that work and the work of the influential art historian and critic Michael Fried on the history of modernist painting. In so doing, I aim to show that the commitment to the projects of literary modernism and realism which Mulhall sees in Coetzee (and Costello), can also be seen in Chaudhuri’s understanding of the sense in which his novels both are, and are not, autobiographical.
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spelling oxford-uuid:5f2fc313-04b6-4495-919d-2f0c7b8f25372022-10-28T12:08:06Z“Did This Really Happen?”: Amit Chaudhuri’s acknowledgement of the autobiographicalJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:5f2fc313-04b6-4495-919d-2f0c7b8f2537EnglishSymplectic ElementsVishvanatha Kaviraja Institute of Comparative Literature and Aesthetics2022Deb, PDIn a recent online lecture, the acclaimed novelist Amit Chaudhuri responded to an accusation that has greeted his fiction since the start of his literary career: that since, as he openly admits, his novels contain people and events that are drawn from his own life, they are better thought of as thinly disguised memoirs—as not really novels at all. In this paper, I discuss this charge by drawing on an account by the philosopher Stephen Mulhall of the work of another distinguished novelist—J.M. Coetzee (more specifically, that work which features the character Elizabeth Costello). In particular, I want to establish the pertinence to Chaudhuri’s lecture of Mulhall’s analogy between aspects of that work and the work of the influential art historian and critic Michael Fried on the history of modernist painting. In so doing, I aim to show that the commitment to the projects of literary modernism and realism which Mulhall sees in Coetzee (and Costello), can also be seen in Chaudhuri’s understanding of the sense in which his novels both are, and are not, autobiographical.
spellingShingle Deb, PD
“Did This Really Happen?”: Amit Chaudhuri’s acknowledgement of the autobiographical
title “Did This Really Happen?”: Amit Chaudhuri’s acknowledgement of the autobiographical
title_full “Did This Really Happen?”: Amit Chaudhuri’s acknowledgement of the autobiographical
title_fullStr “Did This Really Happen?”: Amit Chaudhuri’s acknowledgement of the autobiographical
title_full_unstemmed “Did This Really Happen?”: Amit Chaudhuri’s acknowledgement of the autobiographical
title_short “Did This Really Happen?”: Amit Chaudhuri’s acknowledgement of the autobiographical
title_sort did this really happen amit chaudhuri s acknowledgement of the autobiographical
work_keys_str_mv AT debpd didthisreallyhappenamitchaudhurisacknowledgementoftheautobiographical