Acting imperially: race, performance, and cinema in interwar Britain
<p>This thesis explores the role of race, racism, and colonialism in British cinema culture of the 1920s and early 1930s. It argues firstly that silent film performance is received as a racialised element of film form in Britain; race is ‘read’ by British audiences into movements, gestures, an...
1. autor: | Casey, J |
---|---|
Kolejni autorzy: | Das, S |
Format: | Praca dyplomowa |
Język: | English |
Wydane: |
2023
|
Hasła przedmiotowe: |
Podobne zapisy
-
Constructing imperial imaginations through educational cinema in Britain and Italy (1922–1937)
Wydane: (2022-11-01) -
Imperial Atmospheres: Race and Climate Control on the Niger
od: Dustin Valen
Wydane: (2020-09-01) -
Book Review: Jon Burrows, The British Cinema Boom, 1909–1914: A Commercial History (London: Palgrave Macmillan, 2017)
od: Henry K. Miller
Wydane: (2021-06-01) -
Cinema and/as infrastructure in interwar avant-gardes and empire aviation documentaries
od: Anu Thapa
Wydane: (2023-01-01) -
From Disease Incubation to Disease Receipt: Representing Epidemics and Race in Pre- and Post-Second World War American Cinema (1931–1939 and 1950–1962)
od: Phạm Thùy Dung, i wsp.
Wydane: (2023-12-01)