Expressing selfhood in the convent: anonymous chronicling and subsumed autobiography

Convent autobiography took many forms. We find it in conversion narratives and vidas por mandato, as well as in less obvious places, including chronicles, trans-lations, poetry, saints’ lives and the myriad forms of governance documents that structured convent life. Sometimes nuns wrote under their...

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主要作者: Van Hyning, V
格式: Journal article
語言:English
出版: Cambridge University Press 2015
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author Van Hyning, V
author_facet Van Hyning, V
author_sort Van Hyning, V
collection OXFORD
description Convent autobiography took many forms. We find it in conversion narratives and vidas por mandato, as well as in less obvious places, including chronicles, trans-lations, poetry, saints’ lives and the myriad forms of governance documents that structured convent life. Sometimes nuns wrote under their own names, but frequently they composed anonymously. How do we locate autobiographical acts within anonymous texts? This article proposes a new genre called ‘subsumed autobiography’ to describe anonymously composed texts whose authors shape and influence their work around themes that grow out of their personal interests, theology, politics and so on. It analyses the authorial strategies deployed by the first chronicler of the English Augustinian community of St Monica's (Louvain), and pays particular attention to the themes of Catholic education, Latinity, and the legacy of Sir Thomas More. This work is predicated on an earlier article in which the anonymous author of the chronicle was identified as Mary Copley (1591/2–1669).
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spelling oxford-uuid:69d1b788-f5ab-4f91-ac4c-e194da9fb4b92024-06-14T10:51:39ZExpressing selfhood in the convent: anonymous chronicling and subsumed autobiographyJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:69d1b788-f5ab-4f91-ac4c-e194da9fb4b9EnglishSymplectic Elements at OxfordCambridge University Press2015Van Hyning, VConvent autobiography took many forms. We find it in conversion narratives and vidas por mandato, as well as in less obvious places, including chronicles, trans-lations, poetry, saints’ lives and the myriad forms of governance documents that structured convent life. Sometimes nuns wrote under their own names, but frequently they composed anonymously. How do we locate autobiographical acts within anonymous texts? This article proposes a new genre called ‘subsumed autobiography’ to describe anonymously composed texts whose authors shape and influence their work around themes that grow out of their personal interests, theology, politics and so on. It analyses the authorial strategies deployed by the first chronicler of the English Augustinian community of St Monica's (Louvain), and pays particular attention to the themes of Catholic education, Latinity, and the legacy of Sir Thomas More. This work is predicated on an earlier article in which the anonymous author of the chronicle was identified as Mary Copley (1591/2–1669).
spellingShingle Van Hyning, V
Expressing selfhood in the convent: anonymous chronicling and subsumed autobiography
title Expressing selfhood in the convent: anonymous chronicling and subsumed autobiography
title_full Expressing selfhood in the convent: anonymous chronicling and subsumed autobiography
title_fullStr Expressing selfhood in the convent: anonymous chronicling and subsumed autobiography
title_full_unstemmed Expressing selfhood in the convent: anonymous chronicling and subsumed autobiography
title_short Expressing selfhood in the convent: anonymous chronicling and subsumed autobiography
title_sort expressing selfhood in the convent anonymous chronicling and subsumed autobiography
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