Joyce's Blake: troubling idealism

<p>This thesis is a study of William Blake’s position within James Joyce’s work. Quotations from and references to Blake occur across Joyce’s writing and in his early reception, but these have not received comprehensive study. I trace Blake’s role within Joyce’s shifting conceptions of artisti...

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Main Author: Harder, M
Other Authors: Perry, S
Format: Thesis
Language:English
Published: 2024
Subjects:
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author Harder, M
author2 Perry, S
author_facet Perry, S
Harder, M
author_sort Harder, M
collection OXFORD
description <p>This thesis is a study of William Blake’s position within James Joyce’s work. Quotations from and references to Blake occur across Joyce’s writing and in his early reception, but these have not received comprehensive study. I trace Blake’s role within Joyce’s shifting conceptions of artistic ambition. Joyce’s 1912 lecture on Blake designates him an exemplar of ‘Idealism in English Literature’, and Joyce’s ongoing engagements with what he terms Blake’s ‘anarchic’ idealism emphasise its complexity and its troubling consequences. In the late nineteenth and early twentieth centuries, Blake circulated as a figure of artistic freedom and an example of unviable vision. Within Joyce’s immediate literary circles, Blake functioned as a representative of contemporary radical aesthetic and moral innovation. I examine the contexts from which and into which Joyce mobilises Blake’s volatile status. During Joyce’s life, the body of Blake’s available work was fragmented and of variable quality. Investigation of Joyce’s interest in Blake requires attention to a contested and unstable textual entity.</p> <p>Chapter One details the textual specificities and discordant cultural contexts of Joyce’s ongoing engagement with Blake. Chapter Two outlines the importance for Joyce of Blake’s difficulties in negotiating an audience and traces Blake’s role in the early reception of <em>Ulysses</em>. Chapter Three assesses Joyce’s reading of Blake’s anti-naturalism and linguistic experimentation. Chapter Four examines intersections between Blake’s pursuit of sexual liberation and Joyce’s writing life, particularly in <em>Exiles</em>. Chapter Five turns to Joyce’s interest in Blake’s non-orthodox theology and W. B. Yeats’s account of Blake’s ‘religion of art’, and I provide genetic analysis of explicit references to Blake in <em>Finnegans Wake</em>. Ironic citations of Blake accompany a shift from Joyce’s early optimism about his art having a beneficial communal role to a commitment to severe textual difficulty. For Joyce, Blake’s unsettling work and fraught reception situate him as an ambivalent precursor in a formally and personally disruptive art.</p>
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spelling oxford-uuid:6ac91c96-4d20-4ee8-b54a-345a923a23352025-01-10T17:47:12ZJoyce's Blake: troubling idealismThesishttp://purl.org/coar/resource_type/c_db06uuid:6ac91c96-4d20-4ee8-b54a-345a923a2335RomanticismLiterary formPoeticsModernism (Literature)Modernism (Aesthetics)LiteratureEnglishHyrax Deposit2024Harder, MPerry, SJohnson, JVan Hulle, DSlote, S<p>This thesis is a study of William Blake’s position within James Joyce’s work. Quotations from and references to Blake occur across Joyce’s writing and in his early reception, but these have not received comprehensive study. I trace Blake’s role within Joyce’s shifting conceptions of artistic ambition. Joyce’s 1912 lecture on Blake designates him an exemplar of ‘Idealism in English Literature’, and Joyce’s ongoing engagements with what he terms Blake’s ‘anarchic’ idealism emphasise its complexity and its troubling consequences. In the late nineteenth and early twentieth centuries, Blake circulated as a figure of artistic freedom and an example of unviable vision. Within Joyce’s immediate literary circles, Blake functioned as a representative of contemporary radical aesthetic and moral innovation. I examine the contexts from which and into which Joyce mobilises Blake’s volatile status. During Joyce’s life, the body of Blake’s available work was fragmented and of variable quality. Investigation of Joyce’s interest in Blake requires attention to a contested and unstable textual entity.</p> <p>Chapter One details the textual specificities and discordant cultural contexts of Joyce’s ongoing engagement with Blake. Chapter Two outlines the importance for Joyce of Blake’s difficulties in negotiating an audience and traces Blake’s role in the early reception of <em>Ulysses</em>. Chapter Three assesses Joyce’s reading of Blake’s anti-naturalism and linguistic experimentation. Chapter Four examines intersections between Blake’s pursuit of sexual liberation and Joyce’s writing life, particularly in <em>Exiles</em>. Chapter Five turns to Joyce’s interest in Blake’s non-orthodox theology and W. B. Yeats’s account of Blake’s ‘religion of art’, and I provide genetic analysis of explicit references to Blake in <em>Finnegans Wake</em>. Ironic citations of Blake accompany a shift from Joyce’s early optimism about his art having a beneficial communal role to a commitment to severe textual difficulty. For Joyce, Blake’s unsettling work and fraught reception situate him as an ambivalent precursor in a formally and personally disruptive art.</p>
spellingShingle Romanticism
Literary form
Poetics
Modernism (Literature)
Modernism (Aesthetics)
Literature
Harder, M
Joyce's Blake: troubling idealism
title Joyce's Blake: troubling idealism
title_full Joyce's Blake: troubling idealism
title_fullStr Joyce's Blake: troubling idealism
title_full_unstemmed Joyce's Blake: troubling idealism
title_short Joyce's Blake: troubling idealism
title_sort joyce s blake troubling idealism
topic Romanticism
Literary form
Poetics
Modernism (Literature)
Modernism (Aesthetics)
Literature
work_keys_str_mv AT harderm joycesblaketroublingidealism