Visualizing music psychology: A bibliometric analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017

<p>Music psychology has grown drastically since being established in the middle of the 19th century. However, until now, no large-scale computational bibliometric analysis of the scientific literature in music psychology has been carried out. This study aims to analyze all published literature...

Full description

Bibliographic Details
Main Authors: Anglada-Tort, M, Sanfilippo, KRM
Format: Journal article
Language:English
Published: SAGE Publications 2019
_version_ 1797110413456834560
author Anglada-Tort, M
Sanfilippo, KRM
author_facet Anglada-Tort, M
Sanfilippo, KRM
author_sort Anglada-Tort, M
collection OXFORD
description <p>Music psychology has grown drastically since being established in the middle of the 19th century. However, until now, no large-scale computational bibliometric analysis of the scientific literature in music psychology has been carried out. This study aims to analyze all published literature from the journals&nbsp;<em>Psychology of Music</em>,&nbsp;<em>Music Perception</em>, and&nbsp;<em>Musicae Scientiae</em>. The retrieved literature comprised a total of 2,089 peer-reviewed articles, 2,632 authors, and 49 countries. Visualization and bibliometric techniques were used to investigate the growth of publications, citation analysis, author and country productivity, collaborations, and research trends. From 1973 to 2017, with a total growth rate of 11%, there is a clear increase in music psychology research (i.e., number of publications, authors, and collaborations), consistent with the general growth observed in science. The retrieved documents received a total of 33,771 citations (<em>M</em>&nbsp;= 16.17,&nbsp;<em>SD</em>&nbsp;= 26.93), with a median (Q1&mdash;Q3) of 7 (2&mdash;20). Different bibliometric indicators defined the most relevant authors, countries, and keywords as well as how they relate and collaborate with each other. Differences between the three journals are also discussed. This type of analysis, not without its limitations, can help understand music psychology and identify future directions within the field.</p>
first_indexed 2024-03-07T07:54:30Z
format Journal article
id oxford-uuid:6b1864d9-ec86-4efc-8f9f-7a72c0c9565b
institution University of Oxford
language English
last_indexed 2024-03-07T07:54:30Z
publishDate 2019
publisher SAGE Publications
record_format dspace
spelling oxford-uuid:6b1864d9-ec86-4efc-8f9f-7a72c0c9565b2023-08-09T09:27:47ZVisualizing music psychology: A bibliometric analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017 Journal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:6b1864d9-ec86-4efc-8f9f-7a72c0c9565bEnglishSymplectic ElementsSAGE Publications2019Anglada-Tort, MSanfilippo, KRM<p>Music psychology has grown drastically since being established in the middle of the 19th century. However, until now, no large-scale computational bibliometric analysis of the scientific literature in music psychology has been carried out. This study aims to analyze all published literature from the journals&nbsp;<em>Psychology of Music</em>,&nbsp;<em>Music Perception</em>, and&nbsp;<em>Musicae Scientiae</em>. The retrieved literature comprised a total of 2,089 peer-reviewed articles, 2,632 authors, and 49 countries. Visualization and bibliometric techniques were used to investigate the growth of publications, citation analysis, author and country productivity, collaborations, and research trends. From 1973 to 2017, with a total growth rate of 11%, there is a clear increase in music psychology research (i.e., number of publications, authors, and collaborations), consistent with the general growth observed in science. The retrieved documents received a total of 33,771 citations (<em>M</em>&nbsp;= 16.17,&nbsp;<em>SD</em>&nbsp;= 26.93), with a median (Q1&mdash;Q3) of 7 (2&mdash;20). Different bibliometric indicators defined the most relevant authors, countries, and keywords as well as how they relate and collaborate with each other. Differences between the three journals are also discussed. This type of analysis, not without its limitations, can help understand music psychology and identify future directions within the field.</p>
spellingShingle Anglada-Tort, M
Sanfilippo, KRM
Visualizing music psychology: A bibliometric analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017
title Visualizing music psychology: A bibliometric analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017
title_full Visualizing music psychology: A bibliometric analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017
title_fullStr Visualizing music psychology: A bibliometric analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017
title_full_unstemmed Visualizing music psychology: A bibliometric analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017
title_short Visualizing music psychology: A bibliometric analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017
title_sort visualizing music psychology a bibliometric analysis of psychology of music music perception and musicae scientiae from 1973 to 2017
work_keys_str_mv AT angladatortm visualizingmusicpsychologyabibliometricanalysisofpsychologyofmusicmusicperceptionandmusicaescientiaefrom1973to2017
AT sanfilippokrm visualizingmusicpsychologyabibliometricanalysisofpsychologyofmusicmusicperceptionandmusicaescientiaefrom1973to2017