The intelligence of artifice: Oscar Wilde and AI

Present-day developments in artificial intelligence herald an explosion of the artificial, an expansion of the fabricated across many domains of human activity. The worship of artifice has long been a central thread in studies of modernity from aestheticism and decadence through postmodernism. Oscar...

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Main Authors: Tyson, C, Mendelssohn, M
Format: Journal article
Language:English
Published: Routledge 2025
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author Tyson, C
Mendelssohn, M
author_facet Tyson, C
Mendelssohn, M
author_sort Tyson, C
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description Present-day developments in artificial intelligence herald an explosion of the artificial, an expansion of the fabricated across many domains of human activity. The worship of artifice has long been a central thread in studies of modernity from aestheticism and decadence through postmodernism. Oscar Wilde has been a central figure in this conversation. At the turn of the century, Wilde recombined strands inherited from French and American sources and refashioned them into a new artistic stance that anticipated the postmodern preoccupation with fakery. A direct line can be traced between Baudrillard’s ‘simulacra’ and Jameson’s ‘linguistic masks’ and Wilde’s celebration of ‘the truth of masks’ a century earlier. Yet for all that has been said about Wilde and artifice, the task of connecting English literature’s silver-tongued champion of artificiality to emerging debates about how artificial intelligence might reshape art and culture has not yet been undertaken. Often literary critics have emphasised the distance between the automated production of text and human acts of poetic making. Here, by considering a human precedent – Wilde – for AI’s creative capabilities, we demonstrate how the emergence of new creative models puts pressure on old aesthetic categories and modes of appreciation.
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spelling oxford-uuid:6c33dcda-f9df-4342-8dee-db34063ff0082025-02-17T14:48:49ZThe intelligence of artifice: Oscar Wilde and AIJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:6c33dcda-f9df-4342-8dee-db34063ff008EnglishSymplectic ElementsRoutledge2025Tyson, CMendelssohn, MPresent-day developments in artificial intelligence herald an explosion of the artificial, an expansion of the fabricated across many domains of human activity. The worship of artifice has long been a central thread in studies of modernity from aestheticism and decadence through postmodernism. Oscar Wilde has been a central figure in this conversation. At the turn of the century, Wilde recombined strands inherited from French and American sources and refashioned them into a new artistic stance that anticipated the postmodern preoccupation with fakery. A direct line can be traced between Baudrillard’s ‘simulacra’ and Jameson’s ‘linguistic masks’ and Wilde’s celebration of ‘the truth of masks’ a century earlier. Yet for all that has been said about Wilde and artifice, the task of connecting English literature’s silver-tongued champion of artificiality to emerging debates about how artificial intelligence might reshape art and culture has not yet been undertaken. Often literary critics have emphasised the distance between the automated production of text and human acts of poetic making. Here, by considering a human precedent – Wilde – for AI’s creative capabilities, we demonstrate how the emergence of new creative models puts pressure on old aesthetic categories and modes of appreciation.
spellingShingle Tyson, C
Mendelssohn, M
The intelligence of artifice: Oscar Wilde and AI
title The intelligence of artifice: Oscar Wilde and AI
title_full The intelligence of artifice: Oscar Wilde and AI
title_fullStr The intelligence of artifice: Oscar Wilde and AI
title_full_unstemmed The intelligence of artifice: Oscar Wilde and AI
title_short The intelligence of artifice: Oscar Wilde and AI
title_sort intelligence of artifice oscar wilde and ai
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