The symphonies of Charles Villiers Stanford: constructing a national identity?

The symphonies of Charles Villiers Stanford: constructing a national identity?

<p>Writing in 2001, musicologist Axel Klein concluded that Stanford’s reception history has been significantly impacted by the complicated national identities surrounding both the composer and his music. A lifelong devotee of the nineteenth-century Austro-Germanic tradition, Stanford’s status...

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Bibliografiske detaljer
Main Authors:	White, J, Jonathan Paul White
Andre forfattere:	Allen, R
Format:	Thesis
Sprog:	English
Udgivet:	2014
Fag:	19th Century music Romanticism (music) 20th Century music

Lignende værker

Music and the perception of the mountains through the symphonic poems of Liszt, Franck and Strauss
af: Adrià San José Plana, et al.
Udgivet: (2020-12-01)

Early twentieth-century discourses of violin playing
af: Knapik, S
Udgivet: (2011)

Lo-Fi aesthetics in popular music discourse
af: Harper, A, et al.
Udgivet: (2014)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
af: Stokes, M
Udgivet: (2006)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
af: Stokes, M
Udgivet: (2006)

The impact of recording on listening
af: Clarke, E
Udgivet: (2007)

Adventures of Portuguese 'ancient music' in Oxford, London and Paris: Duarte Lobo's 'Liber missarum' and musical antiquarianism, 1650-1850
af: Rees, O
Udgivet: (2005)

Performing a political shift: avant-garde music in Cold War Spain
af: Sacau-Ferreira, E
Udgivet: (2011)

Portfolio of compositions and critical writing
af: Garrard, C
Udgivet: (2013)

Organ reform in England: aesthetics and polemics, 1901-1965
af: Prozzillo, N
Udgivet: (2011)

Agency, physicality, space: analytical approaches to contemporary Nordic concertos
af: Munk, J
Udgivet: (2011)

The identity, application and legacy of Paul Hindemith’s theory of music
af: Desbruslais, S, et al.
Udgivet: (2013)

Mrs Billington’s embonpoint;
af: Burden, M
Udgivet: (2008)

Intertextuality, exegesis, and composition in polytextual motets around 1500
af: Kolb, P
Udgivet: (2013)

Imaging Mandane: character, costume, monument
af: Burden, M
Udgivet: (2008)

‘Following the male gaze; Visiting the Green Room at London’s Opera House’
af: Burden, M
Udgivet: (2012)

Szymanowski’s Third Symphony: Tradition and the Orient
af: John Pierce O’Reilly
Udgivet: (2019-07-01)

Judith Weir's Instrumental Music as Description
af: Kheng K. Koay
Udgivet: (2016-04-01)

Hermann Levi's shame and Parsifal's guilt: a critique of essentialism in biography and criticism
af: Dreyfus, L
Udgivet: (1994)

To repeat (or not to repeat)? Dance cues in Restoration English opera
af: Burden, M
Udgivet: (2007)

Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries
af: Ballantyne, AL
Udgivet: (2014)

'Words for music perhaps': W.B. Yeats and musical sense
af: Paterson, A
Udgivet: (2007)

Review of the Busoni Digital Edition
af: Theodor Costea
Udgivet: (2020-07-01)

Music, place, and mobility in Erik Satie's Paris
af: Hicks, J, et al.
Udgivet: (2012)

Music Education from the Perspective of “Wiadomości Muzyczne” (1925–1926)
af: Agata KOCAJ, et al.
Udgivet: (2021-05-01)

The Use of the Harmonium in Opera
af: Ádám Sándor FAZAKAS
Udgivet: (2024-06-01)

'Flippant dolls' and 'serious artists': professional female singers in Britain, c.1760-1850
af: Kennerley, DT
Udgivet: (2013)

Music in 19th-Century Venezuela
af: Mariantonia Palacios
Udgivet: (2013-05-01)

The Creative Work of Women Composers in 20th-century Serbian Music in General Music Education
af: Мirko Jeremić, et al.
Udgivet: (2023-12-01)

20th-century Music in Sweden. An Overview
af: Martin Knust
Udgivet: (2018-11-01)

‘Aptlie framed for the dittie’: a study of setting sacred Latin texts to music in sixteenth-century England
af: Ku, CJS
Udgivet: (2014)

My encounter with Walter N. Harding
af: Burden, M
Udgivet: (2012)

Determining indeterminacy
af: Whitney, K, et al.
Udgivet: (2000)

Giovanni Puzzi
af: Strauchen, E, et al.
Udgivet: (2000)

Carolin Krahn, 'Topographie der Imaginationen. Johann Friedrich Rochlitz’ Musikalisches Italien um 1800', Wien 2021
af: Sarah Avischag Müller
Udgivet: (2022-12-01)

The Organ Compositions of Bedřich Antonín Wiedermann
af: Jana Michálková Slimáčková
Udgivet: (2020-06-01)

Napoleon and British popular song, 1797-1822
af: Cox Jensen, O
Udgivet: (2014)

Commonwealth of muses: I. Bunin "Ida" and M. Ravel "Bolero"
Udgivet: (2003-08-01)

Fluid texts, moving arias, shifting sands;
af: Burden, M
Udgivet: (2011)

Anaïs Fléchet, Marie-Françoise Lévy, Littératures et musiques dans la mondialisation, XXe-XXIe siècles
af: Laurent Vidal
Udgivet: (2015-09-01)