The symphonies of Charles Villiers Stanford: constructing a national identity?
<p>Writing in 2001, musicologist Axel Klein concluded that Stanford’s reception history has been significantly impacted by the complicated national identities surrounding both the composer and his music. A lifelong devotee of the nineteenth-century Austro-Germanic tradition, Stanford’s status...
Κύριοι συγγραφείς: | White, J, Jonathan Paul White |
---|---|
Άλλοι συγγραφείς: | Allen, R |
Μορφή: | Thesis |
Γλώσσα: | English |
Έκδοση: |
2014
|
Θέματα: |
Παρόμοια τεκμήρια
Παρόμοια τεκμήρια
-
Music and the perception of the mountains through the symphonic poems of Liszt, Franck and Strauss
ανά: Adrià San José Plana, κ.ά.
Έκδοση: (2020-12-01) -
Early twentieth-century discourses of violin playing
ανά: Knapik, S
Έκδοση: (2011) -
Lo-Fi aesthetics in popular music discourse
ανά: Harper, A, κ.ά.
Έκδοση: (2014) -
Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
ανά: Stokes, M
Έκδοση: (2006) -
Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
ανά: Stokes, M
Έκδοση: (2006)