The free improvisation game: performing John Zorn’s Cobra

The use of improvisation is wide spread in musical practice around the world. Nevertheless, Western academic circles tend to ignore this ubiquitous activity and have maintained a focus on composition and interpretation. This is beginning to change, however, and the role of improvisation in performan...

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Main Author: Van der Schyff, D
Format: Journal article
Published: Virginia Tech Libraries 2013
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author Van der Schyff, D
author_facet Van der Schyff, D
author_sort Van der Schyff, D
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description The use of improvisation is wide spread in musical practice around the world. Nevertheless, Western academic circles tend to ignore this ubiquitous activity and have maintained a focus on composition and interpretation. This is beginning to change, however, and the role of improvisation in performance and music education is receiving an increasing amount of attention. This paper contributes to this project by examining the practice of ‘free improvisation’ in a large ensemble context. A rehearsal and performance of John Zorn’s Cobra––a ‘game’ piece for improvisers––is analyzed from a first-person perspective; relevant research in music psychology is considered; and suggestions are made with regard to how we may better understand the nature of musical communication in improvised contexts. Pedagogical applications are also considered.
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spelling oxford-uuid:6e29a9fd-84fc-4eb6-8bbd-9fbc478279232022-03-26T19:22:34ZThe free improvisation game: performing John Zorn’s CobraJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:6e29a9fd-84fc-4eb6-8bbd-9fbc47827923Symplectic Elements at OxfordVirginia Tech Libraries2013Van der Schyff, DThe use of improvisation is wide spread in musical practice around the world. Nevertheless, Western academic circles tend to ignore this ubiquitous activity and have maintained a focus on composition and interpretation. This is beginning to change, however, and the role of improvisation in performance and music education is receiving an increasing amount of attention. This paper contributes to this project by examining the practice of ‘free improvisation’ in a large ensemble context. A rehearsal and performance of John Zorn’s Cobra––a ‘game’ piece for improvisers––is analyzed from a first-person perspective; relevant research in music psychology is considered; and suggestions are made with regard to how we may better understand the nature of musical communication in improvised contexts. Pedagogical applications are also considered.
spellingShingle Van der Schyff, D
The free improvisation game: performing John Zorn’s Cobra
title The free improvisation game: performing John Zorn’s Cobra
title_full The free improvisation game: performing John Zorn’s Cobra
title_fullStr The free improvisation game: performing John Zorn’s Cobra
title_full_unstemmed The free improvisation game: performing John Zorn’s Cobra
title_short The free improvisation game: performing John Zorn’s Cobra
title_sort free improvisation game performing john zorn s cobra
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