‘Play it again, Sam’: the ‘encore’ in 18th-century London opera
An encore in the middle of an act of an opera is (like too much applause and the rustling of sweet wrappers) an anathema to modern audiences, interested in ‘dramatic continuity’. Such an attitude sits uneasily with a parallel interest in ‘authenticity’ which excludes the practice, for repetitions of...
Príomhchruthaitheoir: | Burden, M |
---|---|
Formáid: | Conference item |
Teanga: | English |
Foilsithe / Cruthaithe: |
2016
|
Ábhair: |
Míreanna comhchosúla
Míreanna comhchosúla
-
The Opera House on the London stage
de réir: Burden, M
Foilsithe / Cruthaithe: (2010) -
Rehearsing an opera in Georgian London
de réir: Burden, M
Foilsithe / Cruthaithe: (2008) -
‘Following the male gaze; Visiting the Green Room at London’s Opera House’
de réir: Burden, M
Foilsithe / Cruthaithe: (2012) -
To repeat (or not to repeat)? Dance cues in Restoration English opera
de réir: Burden, M
Foilsithe / Cruthaithe: (2007) -
Opera and nationalism in mid-eighteenth-century Britain
de réir: Aspden, S, et al.
Foilsithe / Cruthaithe: (1999)