Fluid texts, moving arias, shifting sands;

Fluid texts, moving arias, shifting sands;

<p>Of course, many scholars working on opera and music theatre well understand the nature and origins of an opera libretto - or do they? The seductive lure of the printed page is strong, particularly when there is a score to ‘match’, or when there is no thematic catalogue to provide even a bas...

Disgrifiad llawn

Manylion Llyfryddiaeth
Prif Awdur:	Burden, M
Fformat:	Journal article
Iaith:	English
Cyhoeddwyd:	2011
Pynciau:	Music 18th Century music Opera Performance

Eitemau Tebyg

To repeat (or not to repeat)? Dance cues in Restoration English opera
gan: Burden, M
Cyhoeddwyd: (2007)

Mrs Billington’s embonpoint;
gan: Burden, M
Cyhoeddwyd: (2008)

Adapting Phaëton
gan: Burden, M
Cyhoeddwyd: (2011)

The Opera House on the London stage
gan: Burden, M
Cyhoeddwyd: (2010)

Metastasio on the British Stage 1728-1840 a catalogue
gan: Burden, M
Cyhoeddwyd: (2007)

‘Play it again, Sam’: the ‘encore’ in 18th-century London opera
gan: Burden, M
Cyhoeddwyd: (2016)

Rehearsing an opera in Georgian London
gan: Burden, M
Cyhoeddwyd: (2008)

Imaging Mandane: character, costume, monument
gan: Burden, M
Cyhoeddwyd: (2008)

‘Following the male gaze; Visiting the Green Room at London’s Opera House’
gan: Burden, M
Cyhoeddwyd: (2012)

‘”With dances analogous to the drama”;
gan: Burden, M
Cyhoeddwyd: (2012)

Eating and the theatre
gan: Burden, M
Cyhoeddwyd: (2004)

My encounter with Walter N. Harding
gan: Burden, M
Cyhoeddwyd: (2012)

Hermann Levi's shame and Parsifal's guilt: a critique of essentialism in biography and criticism
gan: Dreyfus, L
Cyhoeddwyd: (1994)

Opera and nationalism in mid-eighteenth-century Britain
gan: Aspden, S, et al.
Cyhoeddwyd: (1999)

Tumbling images: Carlo Antonio Delpini at work
gan: Burden, M
Cyhoeddwyd: (2014)

Adventures of Portuguese 'ancient music' in Oxford, London and Paris: Duarte Lobo's 'Liber missarum' and musical antiquarianism, 1650-1850
gan: Rees, O
Cyhoeddwyd: (2005)

AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY
gan: Luminiţa GUŢANU
Cyhoeddwyd: (2011-06-01)

'Flippant dolls' and 'serious artists': professional female singers in Britain, c.1760-1850
gan: Kennerley, DT
Cyhoeddwyd: (2013)

The Use of the Harmonium in Opera
gan: Ádám Sándor FAZAKAS
Cyhoeddwyd: (2024-06-01)

Music and drama at the Académie royale de musique (Paris), 1774-1789
gan: Rushton, J, et al.
Cyhoeddwyd: (1969)

Napoleon and British popular song, 1797-1822
gan: Cox Jensen, O
Cyhoeddwyd: (2014)

Early twentieth-century discourses of violin playing
gan: Knapik, S
Cyhoeddwyd: (2011)

The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles and parodies in the Empire of slavery
gan: Luiz Costa-Lima Neto
Cyhoeddwyd: (2022-03-01)

«L’illusion de cette musique me charme pour des moments»: teatro e musica nelle lettere di Maria Carolina alla figlia Maria Teresa
gan: Francesco Cotticelli
Cyhoeddwyd: (2018-11-01)

Pierrot strikes back: François Nivelon at Lincoln’s Inn Fields and Covent Garden, 1723-1738
gan: Thorp, J
Cyhoeddwyd: (2008)

Organ reform in England: aesthetics and polemics, 1901-1965
gan: Prozzillo, N
Cyhoeddwyd: (2011)

Die Figuralmusik in Hrabyně um die Wende des 19. Jahrhunderts – Hrabiner Inventare
gan: Helena Kramářová
Cyhoeddwyd: (2016-12-01)

Agency, physicality, space: analytical approaches to contemporary Nordic concertos
gan: Munk, J
Cyhoeddwyd: (2011)

Performing a political shift: avant-garde music in Cold War Spain
gan: Sacau-Ferreira, E
Cyhoeddwyd: (2011)

A critical edition, with introduction and commentary, of the libretto texts of Montagu Slater and Benjamin Britten's Peter Grimes
gan: Greenhalgh, M
Cyhoeddwyd: (2013)

Hudební divadlo v Brně ve druhé polovině 18. století : repertoár a provoz divadla na Zelném trhu v jeho proměnách ze stagiony ve stálou divadelní instituci
gan: Petra Švandová
Cyhoeddwyd: (2018-06-01)

‘Aptlie framed for the dittie’: a study of setting sacred Latin texts to music in sixteenth-century England
gan: Ku, CJS
Cyhoeddwyd: (2014)

The symphonies of Charles Villiers Stanford: constructing a national identity?
gan: White, J, et al.
Cyhoeddwyd: (2014)

Pyramus and Thisbe: Myth in music on the 18th-century French stage
gan: Marianna Consiglia Vercellini
Cyhoeddwyd: (2016-06-01)

Intertextuality, exegesis, and composition in polytextual motets around 1500
gan: Kolb, P
Cyhoeddwyd: (2013)

Representaciones musicales de lo francés en tonadillas dieciochescas
gan: Aurèlia Pessarrodona
Cyhoeddwyd: (2016-04-01)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
gan: Stokes, M
Cyhoeddwyd: (2006)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
gan: Stokes, M
Cyhoeddwyd: (2006)

The impact of recording on listening
gan: Clarke, E
Cyhoeddwyd: (2007)

Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries
gan: Ballantyne, AL
Cyhoeddwyd: (2014)