Fluid texts, moving arias, shifting sands;

Fluid texts, moving arias, shifting sands;

<p>Of course, many scholars working on opera and music theatre well understand the nature and origins of an opera libretto - or do they? The seductive lure of the printed page is strong, particularly when there is a score to ‘match’, or when there is no thematic catalogue to provide even a bas...

Cur síos iomlán

Sonraí bibleagrafaíochta
Príomhchruthaitheoir:	Burden, M
Formáid:	Journal article
Teanga:	English
Foilsithe / Cruthaithe:	2011
Ábhair:	Music 18th Century music Opera Performance

Míreanna comhchosúla

To repeat (or not to repeat)? Dance cues in Restoration English opera
de réir: Burden, M
Foilsithe / Cruthaithe: (2007)

Mrs Billington’s embonpoint;
de réir: Burden, M
Foilsithe / Cruthaithe: (2008)

Adapting Phaëton
de réir: Burden, M
Foilsithe / Cruthaithe: (2011)

The Opera House on the London stage
de réir: Burden, M
Foilsithe / Cruthaithe: (2010)

Metastasio on the British Stage 1728-1840 a catalogue
de réir: Burden, M
Foilsithe / Cruthaithe: (2007)

‘Play it again, Sam’: the ‘encore’ in 18th-century London opera
de réir: Burden, M
Foilsithe / Cruthaithe: (2016)

Rehearsing an opera in Georgian London
de réir: Burden, M
Foilsithe / Cruthaithe: (2008)

Imaging Mandane: character, costume, monument
de réir: Burden, M
Foilsithe / Cruthaithe: (2008)

‘Following the male gaze; Visiting the Green Room at London’s Opera House’
de réir: Burden, M
Foilsithe / Cruthaithe: (2012)

‘”With dances analogous to the drama”;
de réir: Burden, M
Foilsithe / Cruthaithe: (2012)

Eating and the theatre
de réir: Burden, M
Foilsithe / Cruthaithe: (2004)

My encounter with Walter N. Harding
de réir: Burden, M
Foilsithe / Cruthaithe: (2012)

Hermann Levi's shame and Parsifal's guilt: a critique of essentialism in biography and criticism
de réir: Dreyfus, L
Foilsithe / Cruthaithe: (1994)

Opera and nationalism in mid-eighteenth-century Britain
de réir: Aspden, S, et al.
Foilsithe / Cruthaithe: (1999)

Tumbling images: Carlo Antonio Delpini at work
de réir: Burden, M
Foilsithe / Cruthaithe: (2014)

Adventures of Portuguese 'ancient music' in Oxford, London and Paris: Duarte Lobo's 'Liber missarum' and musical antiquarianism, 1650-1850
de réir: Rees, O
Foilsithe / Cruthaithe: (2005)

AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY
de réir: Luminiţa GUŢANU
Foilsithe / Cruthaithe: (2011-06-01)

'Flippant dolls' and 'serious artists': professional female singers in Britain, c.1760-1850
de réir: Kennerley, DT
Foilsithe / Cruthaithe: (2013)

The Use of the Harmonium in Opera
de réir: Ádám Sándor FAZAKAS
Foilsithe / Cruthaithe: (2024-06-01)

Music and drama at the Académie royale de musique (Paris), 1774-1789
de réir: Rushton, J, et al.
Foilsithe / Cruthaithe: (1969)

Napoleon and British popular song, 1797-1822
de réir: Cox Jensen, O
Foilsithe / Cruthaithe: (2014)

Early twentieth-century discourses of violin playing
de réir: Knapik, S
Foilsithe / Cruthaithe: (2011)

The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890): lundus, arias, vaudevilles and parodies in the Empire of slavery
de réir: Luiz Costa-Lima Neto
Foilsithe / Cruthaithe: (2022-03-01)

«L’illusion de cette musique me charme pour des moments»: teatro e musica nelle lettere di Maria Carolina alla figlia Maria Teresa
de réir: Francesco Cotticelli
Foilsithe / Cruthaithe: (2018-11-01)

Pierrot strikes back: François Nivelon at Lincoln’s Inn Fields and Covent Garden, 1723-1738
de réir: Thorp, J
Foilsithe / Cruthaithe: (2008)

Organ reform in England: aesthetics and polemics, 1901-1965
de réir: Prozzillo, N
Foilsithe / Cruthaithe: (2011)

Die Figuralmusik in Hrabyně um die Wende des 19. Jahrhunderts – Hrabiner Inventare
de réir: Helena Kramářová
Foilsithe / Cruthaithe: (2016-12-01)

Agency, physicality, space: analytical approaches to contemporary Nordic concertos
de réir: Munk, J
Foilsithe / Cruthaithe: (2011)

Performing a political shift: avant-garde music in Cold War Spain
de réir: Sacau-Ferreira, E
Foilsithe / Cruthaithe: (2011)

A critical edition, with introduction and commentary, of the libretto texts of Montagu Slater and Benjamin Britten's Peter Grimes
de réir: Greenhalgh, M
Foilsithe / Cruthaithe: (2013)

Hudební divadlo v Brně ve druhé polovině 18. století : repertoár a provoz divadla na Zelném trhu v jeho proměnách ze stagiony ve stálou divadelní instituci
de réir: Petra Švandová
Foilsithe / Cruthaithe: (2018-06-01)

‘Aptlie framed for the dittie’: a study of setting sacred Latin texts to music in sixteenth-century England
de réir: Ku, CJS
Foilsithe / Cruthaithe: (2014)

The symphonies of Charles Villiers Stanford: constructing a national identity?
de réir: White, J, et al.
Foilsithe / Cruthaithe: (2014)

Pyramus and Thisbe: Myth in music on the 18th-century French stage
de réir: Marianna Consiglia Vercellini
Foilsithe / Cruthaithe: (2016-06-01)

Intertextuality, exegesis, and composition in polytextual motets around 1500
de réir: Kolb, P
Foilsithe / Cruthaithe: (2013)

Representaciones musicales de lo francés en tonadillas dieciochescas
de réir: Aurèlia Pessarrodona
Foilsithe / Cruthaithe: (2016-04-01)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
de réir: Stokes, M
Foilsithe / Cruthaithe: (2006)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
de réir: Stokes, M
Foilsithe / Cruthaithe: (2006)

The impact of recording on listening
de réir: Clarke, E
Foilsithe / Cruthaithe: (2007)

Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries
de réir: Ballantyne, AL
Foilsithe / Cruthaithe: (2014)