Fluid texts, moving arias, shifting sands;
<p>Of course, many scholars working on opera and music theatre well understand the nature and origins of an opera libretto - or do they? The seductive lure of the printed page is strong, particularly when there is a score to ‘match’, or when there is no thematic catalogue to provide even a bas...
| 第一著者: | |
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| フォーマット: | Journal article |
| 言語: | English |
| 出版事項: |
2011
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