Rossetti’s Giorgione and the Victorian ‘Cult of Vagueness’
This is the winner of the 2020 Richard D. Gooder Prize for doctoral students. The prize, for an essay discussing the relationship between any two art forms, is named in memory of Richard Gooder (1934–2017), one of the founding editors of The Cambridge Quarterly.
Váldodahkki: | McGhee, RF |
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Materiálatiipa: | Journal article |
Giella: | English |
Almmustuhtton: |
Oxford University Press
2021
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Geahča maid
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Dante Gabriel Rossetti’s déjà vu
Dahkki: McGhee, F
Almmustuhtton: (2020) -
Forms of unknowing in Victorian poetry
Dahkki: McGhee, F
Almmustuhtton: (2021) -
ON THE CONTENT AND PURPOSE OF «THE TEMPEST» BY GIORGIONE
Dahkki: Pichugina Olga K.
Almmustuhtton: (2022-03-01) -
Narrative aesthetics in Giorgione's paintings
Dahkki: Faylaq Fathi Muhammad Ali, et al.
Almmustuhtton: (2024-08-01) -
Giovanni Morelli and his friend Giorgione: connoisseurship, science and irony
Dahkki: Luke Uglow
Almmustuhtton: (2014-12-01)