Mallarmé's digital demon

How do Mallarmé’s writings speak to the present? To answer this question, this article establishes a dialogue between one of Mallarmé’s early prose poems, ‘Le Démon de l'analogie’, and texts by the contemporary media theorists Mark Hansen, Steven Shaviro and Eugene Thacker. The article argues t...

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Autor principal: Lubecker, N
Formato: Journal article
Idioma:English
Publicado em: Edinburgh University Press 2020
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author Lubecker, N
author_facet Lubecker, N
author_sort Lubecker, N
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description How do Mallarmé’s writings speak to the present? To answer this question, this article establishes a dialogue between one of Mallarmé’s early prose poems, ‘Le Démon de l'analogie’, and texts by the contemporary media theorists Mark Hansen, Steven Shaviro and Eugene Thacker. The article argues that Mallarmé’s poem explores how it feels to be a body modulated by code. The poem puts twentieth-century phenomenology with its focus on human perception under pressure, and instead presents a very contemporary view of individuation (subject-formation) as a process that is both thoroughly bound up with the environment, and difficult to comprehend and unify. In a final section, the article considers ‘Le Démon de l'analogie’ in relation to the poet's dream about le Livre, and suggests that Mallarmé’s work as a whole brings together the utopian and the dystopian tendencies that have marked media studies from their inception, and that continue to characterize our relations to the technological object.
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spelling oxford-uuid:75491454-aaab-4f0b-8d9c-2d1f777bbe0a2022-03-26T20:08:18ZMallarmé's digital demonJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:75491454-aaab-4f0b-8d9c-2d1f777bbe0aEnglishSymplectic Elements at OxfordEdinburgh University Press2020Lubecker, NHow do Mallarmé’s writings speak to the present? To answer this question, this article establishes a dialogue between one of Mallarmé’s early prose poems, ‘Le Démon de l'analogie’, and texts by the contemporary media theorists Mark Hansen, Steven Shaviro and Eugene Thacker. The article argues that Mallarmé’s poem explores how it feels to be a body modulated by code. The poem puts twentieth-century phenomenology with its focus on human perception under pressure, and instead presents a very contemporary view of individuation (subject-formation) as a process that is both thoroughly bound up with the environment, and difficult to comprehend and unify. In a final section, the article considers ‘Le Démon de l'analogie’ in relation to the poet's dream about le Livre, and suggests that Mallarmé’s work as a whole brings together the utopian and the dystopian tendencies that have marked media studies from their inception, and that continue to characterize our relations to the technological object.
spellingShingle Lubecker, N
Mallarmé's digital demon
title Mallarmé's digital demon
title_full Mallarmé's digital demon
title_fullStr Mallarmé's digital demon
title_full_unstemmed Mallarmé's digital demon
title_short Mallarmé's digital demon
title_sort mallarme s digital demon
work_keys_str_mv AT lubeckern mallarmesdigitaldemon