'The illusion of an authentic experience': a luster bowl in the Ashmolean Museum

In 2014 the Ashmolean Museum conserved and examined one of the largest and most handsome ceramic vessels in its renowned Islamic art collection. An accomplished example of early thirteenth-century Persian lusterware from the bequest of Sir Alan Barlow, the salver had an unusually deformed profile an...

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Bibliografische gegevens
Hoofdauteurs: Leoni, F, Norris, D, Domoney, K, Matin, M, Shortland, A
Formaat: Journal article
Taal:English
Gepubliceerd in: Brill Academic Publishers 2019
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author Leoni, F
Norris, D
Domoney, K
Matin, M
Shortland, A
author_facet Leoni, F
Norris, D
Domoney, K
Matin, M
Shortland, A
author_sort Leoni, F
collection OXFORD
description In 2014 the Ashmolean Museum conserved and examined one of the largest and most handsome ceramic vessels in its renowned Islamic art collection. An accomplished example of early thirteenth-century Persian lusterware from the bequest of Sir Alan Barlow, the salver had an unusually deformed profile and uneven wear that pointed at a number of past interventions. Some of these had already been uncovered in 2008 when the object was prepared for reinstallation in the revamped Ashmolean. However, it was only when analyzed by a team of inhouse specialists and scientists from Cranfield University and the Research Laboratory for Archaeology at the University of Oxford, that the extraordinary nature of its “restoration” could be assessed. This article presents the results of this collaborative effort and contributes important evidence to the thorny issue of the faking and forging of Islamic ceramics in the early twentiethc century, when collecting Islamic decorative arts was at its peak.
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spelling oxford-uuid:7640e8fc-3cbd-48a9-a3c7-3ced7a68a5e32022-03-26T20:14:32Z'The illusion of an authentic experience': a luster bowl in the Ashmolean MuseumJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:7640e8fc-3cbd-48a9-a3c7-3ced7a68a5e3EnglishSymplectic Elements at OxfordBrill Academic Publishers2019Leoni, FNorris, DDomoney, KMatin, MShortland, AIn 2014 the Ashmolean Museum conserved and examined one of the largest and most handsome ceramic vessels in its renowned Islamic art collection. An accomplished example of early thirteenth-century Persian lusterware from the bequest of Sir Alan Barlow, the salver had an unusually deformed profile and uneven wear that pointed at a number of past interventions. Some of these had already been uncovered in 2008 when the object was prepared for reinstallation in the revamped Ashmolean. However, it was only when analyzed by a team of inhouse specialists and scientists from Cranfield University and the Research Laboratory for Archaeology at the University of Oxford, that the extraordinary nature of its “restoration” could be assessed. This article presents the results of this collaborative effort and contributes important evidence to the thorny issue of the faking and forging of Islamic ceramics in the early twentiethc century, when collecting Islamic decorative arts was at its peak.
spellingShingle Leoni, F
Norris, D
Domoney, K
Matin, M
Shortland, A
'The illusion of an authentic experience': a luster bowl in the Ashmolean Museum
title 'The illusion of an authentic experience': a luster bowl in the Ashmolean Museum
title_full 'The illusion of an authentic experience': a luster bowl in the Ashmolean Museum
title_fullStr 'The illusion of an authentic experience': a luster bowl in the Ashmolean Museum
title_full_unstemmed 'The illusion of an authentic experience': a luster bowl in the Ashmolean Museum
title_short 'The illusion of an authentic experience': a luster bowl in the Ashmolean Museum
title_sort the illusion of an authentic experience a luster bowl in the ashmolean museum
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