Making sense of broadside ballad illustrations in the seventeenth and eighteenth centuries
<p>Illustrations of cheap print are often described as unrelated to the textual content, or randomly chosen by the printers. This chapter describes different ways in which illustrations on broadside ballads relate to the texts of the songs, and suggests reasons for the changes between three mo...
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| Format: | Book section |
| Language: | English |
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Rowman & Littlefield Publishing Group
2013
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| Subjects: |
| _version_ | 1826279928192040960 |
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| author | Franklin, A |
| author_facet | Franklin, A |
| author_sort | Franklin, A |
| collection | OXFORD |
| description | <p>Illustrations of cheap print are often described as unrelated to the textual content, or randomly chosen by the printers. This chapter describes different ways in which illustrations on broadside ballads relate to the texts of the songs, and suggests reasons for the changes between three modes by which images addressed the 17th- and 18th-century viewer: reflective, narrative, and allusive.</p> |
| first_indexed | 2024-03-07T00:06:07Z |
| format | Book section |
| id | oxford-uuid:7797d4fc-9d87-470c-b296-89c151e5cf46 |
| institution | University of Oxford |
| language | English |
| last_indexed | 2024-03-07T00:06:07Z |
| publishDate | 2013 |
| publisher | Rowman & Littlefield Publishing Group |
| record_format | dspace |
| spelling | oxford-uuid:7797d4fc-9d87-470c-b296-89c151e5cf462022-03-26T20:25:07ZMaking sense of broadside ballad illustrations in the seventeenth and eighteenth centuriesBook sectionhttp://purl.org/coar/resource_type/c_3248uuid:7797d4fc-9d87-470c-b296-89c151e5cf46History of art and visual cultureEarly modern English literature (1550 - 1780)EnglishOxford University Research Archive - ValetRowman & Littlefield Publishing Group2013Franklin, A<p>Illustrations of cheap print are often described as unrelated to the textual content, or randomly chosen by the printers. This chapter describes different ways in which illustrations on broadside ballads relate to the texts of the songs, and suggests reasons for the changes between three modes by which images addressed the 17th- and 18th-century viewer: reflective, narrative, and allusive.</p> |
| spellingShingle | History of art and visual culture Early modern English literature (1550 - 1780) Franklin, A Making sense of broadside ballad illustrations in the seventeenth and eighteenth centuries |
| title | Making sense of broadside ballad illustrations in the seventeenth and eighteenth centuries |
| title_full | Making sense of broadside ballad illustrations in the seventeenth and eighteenth centuries |
| title_fullStr | Making sense of broadside ballad illustrations in the seventeenth and eighteenth centuries |
| title_full_unstemmed | Making sense of broadside ballad illustrations in the seventeenth and eighteenth centuries |
| title_short | Making sense of broadside ballad illustrations in the seventeenth and eighteenth centuries |
| title_sort | making sense of broadside ballad illustrations in the seventeenth and eighteenth centuries |
| topic | History of art and visual culture Early modern English literature (1550 - 1780) |
| work_keys_str_mv | AT franklina makingsenseofbroadsideballadillustrationsintheseventeenthandeighteenthcenturies |