Critical ontology for an enactive music pedagogy

An enactive approach to music education is explored through the lens of critical ontology. Assumptions central to Western academic music culture are critically discussed; and the concept of ‘ontological education’ is introduced as an alternative framework. We argue that this orientation embraces mor...

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Main Authors: van der Schyff, D, Schiavio, A, Elliott, DJ
Format: Journal article
Published: MayDay Group 2016
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author van der Schyff, D
Schiavio, A
Elliott, DJ
author_facet van der Schyff, D
Schiavio, A
Elliott, DJ
author_sort van der Schyff, D
collection OXFORD
description An enactive approach to music education is explored through the lens of critical ontology. Assumptions central to Western academic music culture are critically discussed; and the concept of ‘ontological education’ is introduced as an alternative framework. We argue that this orientation embraces more primordial ways of knowing and being, revealing the fundamentally self-organizing or ‘autopoietic’ nature of the embodied musical mind. This enactive perspective is then contrasted with classic constructivist approaches and is developed within the context of care ethics. Ethical and practical possibilities for an enactive music pedagogy are suggested with the goal of helping music educators develop approaches based in possibility, imagination, and relationality, rather than in conformity to standardized practices and conventional ways of thinking. To conclude, the importance of critical ontology and the enactivist perspective is considered for music teacher education if our society is to open up to the full possibilities of music for human well-being.
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spelling oxford-uuid:7a4f8116-952b-4f81-afe6-dd38795a32572022-03-26T20:43:15ZCritical ontology for an enactive music pedagogyJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:7a4f8116-952b-4f81-afe6-dd38795a3257Symplectic Elements at OxfordMayDay Group2016van der Schyff, DSchiavio, AElliott, DJAn enactive approach to music education is explored through the lens of critical ontology. Assumptions central to Western academic music culture are critically discussed; and the concept of ‘ontological education’ is introduced as an alternative framework. We argue that this orientation embraces more primordial ways of knowing and being, revealing the fundamentally self-organizing or ‘autopoietic’ nature of the embodied musical mind. This enactive perspective is then contrasted with classic constructivist approaches and is developed within the context of care ethics. Ethical and practical possibilities for an enactive music pedagogy are suggested with the goal of helping music educators develop approaches based in possibility, imagination, and relationality, rather than in conformity to standardized practices and conventional ways of thinking. To conclude, the importance of critical ontology and the enactivist perspective is considered for music teacher education if our society is to open up to the full possibilities of music for human well-being.
spellingShingle van der Schyff, D
Schiavio, A
Elliott, DJ
Critical ontology for an enactive music pedagogy
title Critical ontology for an enactive music pedagogy
title_full Critical ontology for an enactive music pedagogy
title_fullStr Critical ontology for an enactive music pedagogy
title_full_unstemmed Critical ontology for an enactive music pedagogy
title_short Critical ontology for an enactive music pedagogy
title_sort critical ontology for an enactive music pedagogy
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AT schiavioa criticalontologyforanenactivemusicpedagogy
AT elliottdj criticalontologyforanenactivemusicpedagogy