Benjamin's Literary History of Attention: Between Reception and Production
This article argues that attention and distraction form a central concern of Benjamin's writings on literature. Individually and in conjunction, they underpin processes of textual production and reception, yet their relationship is fluid and subject to historical change. In this respect, Benjam...
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| Format: | Journal article |
| Language: | English |
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2009
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| _version_ | 1797078663517175808 |
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| author | Duttlinger, C |
| author_facet | Duttlinger, C |
| author_sort | Duttlinger, C |
| collection | OXFORD |
| description | This article argues that attention and distraction form a central concern of Benjamin's writings on literature. Individually and in conjunction, they underpin processes of textual production and reception, yet their relationship is fluid and subject to historical change. In this respect, Benjamin's exploration of the interplay of attention and distraction in writers such as Leskov, Baudelaire and Brecht also leads to more general reflections about the social, cultural and psychological shifts brought about by industrialization and modern mass culture. Benjamin's writings on literature trace developments which he also explores in relation to film. And echoes of his 'literary history of attention' can also be found in both his own critical approach and his self-reflexive comments on the process of writing. |
| first_indexed | 2024-03-07T00:34:58Z |
| format | Journal article |
| id | oxford-uuid:81169ae8-e6fc-4f6b-ba62-56c68655bd41 |
| institution | University of Oxford |
| language | English |
| last_indexed | 2024-03-07T00:34:58Z |
| publishDate | 2009 |
| record_format | dspace |
| spelling | oxford-uuid:81169ae8-e6fc-4f6b-ba62-56c68655bd412022-03-26T21:27:56ZBenjamin's Literary History of Attention: Between Reception and ProductionJournal articlehttp://purl.org/coar/resource_type/c_dcae04bcuuid:81169ae8-e6fc-4f6b-ba62-56c68655bd41EnglishSymplectic Elements at Oxford2009Duttlinger, CThis article argues that attention and distraction form a central concern of Benjamin's writings on literature. Individually and in conjunction, they underpin processes of textual production and reception, yet their relationship is fluid and subject to historical change. In this respect, Benjamin's exploration of the interplay of attention and distraction in writers such as Leskov, Baudelaire and Brecht also leads to more general reflections about the social, cultural and psychological shifts brought about by industrialization and modern mass culture. Benjamin's writings on literature trace developments which he also explores in relation to film. And echoes of his 'literary history of attention' can also be found in both his own critical approach and his self-reflexive comments on the process of writing. |
| spellingShingle | Duttlinger, C Benjamin's Literary History of Attention: Between Reception and Production |
| title | Benjamin's Literary History of Attention: Between Reception and Production |
| title_full | Benjamin's Literary History of Attention: Between Reception and Production |
| title_fullStr | Benjamin's Literary History of Attention: Between Reception and Production |
| title_full_unstemmed | Benjamin's Literary History of Attention: Between Reception and Production |
| title_short | Benjamin's Literary History of Attention: Between Reception and Production |
| title_sort | benjamin s literary history of attention between reception and production |
| work_keys_str_mv | AT duttlingerc benjaminsliteraryhistoryofattentionbetweenreceptionandproduction |