Interpreting digital images beyond just the visual: crossmodal practices in medieval musicology
The scholarly study of medieval music manuscripts has traditionally required that musicologists travel to libraries and museums where the artefacts of interest, the complete manuscript or fragments of manuscripts, are physically held. However, with the introduction of digital image archives these sc...
Main Authors: | Eden, G, Jirotka, M, Meyer, E |
---|---|
Format: | Journal article |
Language: | English |
Published: |
Maney Publishing
2012
|
Subjects: |
Similar Items
-
Digital images of medieval music documents: transforming research processes and knowledge production in musicology
by: Eden, G, et al.
Published: (2012) -
Interpreting digital images beyond just the visual: crossmodal practices in medieval musicology
by: Eden, G, et al.
Published: (2012) -
Accessing medieval music: from material codex to digital specimen
by: de la Flor, G, et al.
Published: (2011) -
The musicological portions of the Saṅgītanārāyaṇa
by: Katz, J, et al.
Published: (1987) -
Intertextuality, exegesis, and composition in polytextual motets around 1500
by: Kolb, P
Published: (2013)